The Best of 2012 – Worn & Adored!

sophiemagdalenecrown

 – Being the true confessions of a hapless perfume writer…

Ah, the perils of a perfume writer’s existence. So many perfumes – according to Basenotes, 1366 new fragrances were launched in 2012 –so very little time! Without being able to sometimes club flotsam and jetsam reviews together – meaning I review more than one at a time – I’d be toast.

As it is, my ghost will probably be typing away in the afterlife long after my hopefully timely demise just to catch up on the backlog, wondering if Stygian WiFi is reliable…;-)

I also try to have a perfume free day every week to recalibrate my nose, which makes it easier to delve into the ones I do review.

Some of the perfumes I wore most in 2012 are repeats from my other two lists, for no other cause than I couldn’t live without them, others I have yet to review but I wore them anyway. Yet for all those new and/or newly discovered perfumes, sometimes, all this girl wants to do is wear a familiar favorite, and I’ve certainly done that, too.

These are the ones I have wafted and adored beyond all reason. For as surely as my readers know, reason had nothing to do with it!

Aftelier

Few things are more fun than scenting some of your favorite characters in books. It doesn’t get any cooler than to perfume the characters of your making, as my own project proved. Yet I suspect that Sophia – one important character who appears in my book Quantum Demonology – would wear Aftelier’s Fig, and whenever I’ve needed to borrow some of her own earthy grounding, Fig was a perfect fit. I loved it in an instant when I found it, and I love it dearly still. I hear Sophia’s Flatbush twang whenever I put it on. “C’mon, hon,” she seems to say, “just cut the bs already, whydoncha?” I do try.

Amouage

Some days, nothing but an Amouage will do. I’ve had a few of those this past year, especially with Memoir Woman, Beloved, and certainly Opus VI. I also came to discover that bone dry, bitter cold – as we had in late January last year – turns my Cloak of Invincibility, Epic Woman, into a very moody, oud-y creature. I suspect that’s why my sister hates it. Considering some of the stink bombs she’s hit me with over the years, it’s only fair.

Aroma M

It’s said that the scent of Artemisia – which we sometimes know as wormwood and also as absinthe – furthers creativity. Who am I to argue with the Fée Verte glories of the Belle Époque? Aroma M’s Geisha Green is one of the most beautifully rendered absinthe perfumes I know, and whatever it takes ‘to further creativity’, I’ll do. That I received it as a present from a very dear friend makes it even more special.

Dawn Spencer Hurwitz

Ah, the lovely Dawn, she breaks my heart. For creating such stellar works of beauty as indeed she always, always does, and for making me cry, as I did when she so sweetly sent me her YSL Retrospective Collection made in collaboration with the Denver Art Museum’s Yves Saint Laurent exhibition. Those lucky enough to see it were treated not only to some of the most seminal – and spectacular – creations of my all-time favorite designer, they were also tempted with Dawn’s olfactory reinterpretations of some of his designs – and perfumes. La Vie En Rose – her tribute to one of my own Great Immortals, vintage YSL Paris, was so flawless, it made me cry. To be hit over the head by a massively packed suitcase of Guilt Trip for not reviewing that collection yet. The best defense in the face of Major Procrastination is an attack. Dawn, darling, yours will be my first review of 2013. As for the rest of you – read all about it!

Editions Frédéric Malle

Last year was my year of The Tuberose. It was a note I approached with some trepidation – one does not mess with this floral diva – only to find just how much I adored it, especially when it’s as stunning as the justly celebrated Carnal Flower by Dominique Ropion. I suspect that the equally lovely Lys Méditerranée won’t be too far behind its sister in the Flawless Floral department. I am so doomed.

The Ex (Dev) Factor

I’m single now, so alas I don’t know a lot of (willing) masculine lab rats for when I needed to skin-test assorted testaments to Thermonuclear Testosterone Bombshells – also known as the Devilscents. For this reason and several others, mainly his resigned-to-the-inevitable sense of humor, I recruited Super Mario Sr. He then proceeded to ruin the female wait staff one night at a local Italian trattoria by deviously dabbing their boyfriend chefs in the kitchen with House of Cherry Bomb’s Dev. Those ladies  – usually quite clearheaded and competent in a busy, popular restaurant – were useless that night. Resistance was futile. The next day, so he told me, everyone showed up with Epic Night To Remember grins on their faces. The guys all demanded to know, as only red-blooded Italian males can – “WHERE can we buy that stuff prontissimo???” He never told them. Some things – and some secrets, apparently – are just…too good to share! Some time later, Monica Miller of Perfume Pharmer was sweet enough to send me a liquid decant of the scent of her own Dev massage lotion bar. I had just enough time to sniff it, before he declared this was his new liquid definition of awesome, and stole it with that elegant sleight-of-hand Geminis so excel at. I never saw it again.

Exotic Island Aromas

Here comes Guilt Trip suitcase no. 2. Monica also flattered me this past year by requesting my dubious services for her Primordial Scents Project. As part of it, I received Juan Perez’ – the creator of Exotic Island Aromas – two contributions, and never in my life was a sample vial drained faster than his utterly unearthly Flor Azteca. You can therefore imagine how happy I was to win a roll-on of this wonder in a draw. Full review forthcoming or I am so dead, but this feral phantasm of a tuberose is to breathe – and die! – for.

House of Cherry Bomb

As if the devastation wrought by their Dev weren’t enough, the Awesome Twosome of the House of Cherry Bomb also made Lilith, and as opportunity would have it, on one of two dates I had last year, I wore it to see a former boyfriend I hadn’t seen in eighteen years. I really don’t know what came over me. Or him. Let’s just say the reunion was a happy one. I blame the perfume. It couldn’t possibly have been me.

Neela Vermeire Creations

When your preconceptions are blown to smithereens, when you’re blown to dandelion fluff on a high summer wind by beauty, if you’re anything like me, you’ll want to wear it again as often as you can. In the case of the truly spectacular Trayee and Mohur, this could never happen often enough, and I’ve worn both of them frequently in 2012 with no end in sight. On those dire, far-too-early mornings when I told my reflection despairingly that Attitude Is Everything, I’ve worn Bombay Bling. I dare anyone to wear it without a smile on their faces! All three NVC creations have been plastered all over almost everyone’s Best of 2012 lists, and I’m not about to argue with splendor.

Neil Morris Fragrances

Among perfumistas, the astonishing Neil Morris is one of those great cult figures of American perfumery, far too cool to be a household name, much, much too talented not to be. No one was more flabbergasted than I when he chose to participate in the Devilscent Project – with alacrity and an infernal amount of glee, I might add. It pains me more than I can say to know that I only have two more Neil Morrises to review for the DSP, but on the other hand, it thrills me beyond compare to know that Neil,my darling, I’m not letting you get away! Rumi, made for his Vault Collection has become a signature I never want to be without, but I could certainly say the same for all five of his creations for the project. The good news for the rest of Planet Perfume is I understand they’ll soon be made available to the general public. Be afraid – in all the most perilous, perfumed ways…

Niki de Saint Phalle

In the Bad Old Days of the Eighties, when I wasn’t wearing my usual sock-it-to-‘em wonders, I was a definite green chypre kind of chica. No one was more thrilled than I when the opportunity to acquire this oft-overlooked gem came along. Niki de Saint Phalle is a softer, mossier and more approachable sibling of my beloved Bandit, and today, it is so unusual among the usual fruitchoulis in my vicinity, it always gets me noticed.

Olympic Orchids

One of my favorite things about inspiration is I never know in advance where it will take me. I suspect my partner-in-crime Ellen Covey would agree. So far as I’ve been able to tell, our notorious little project has redefined quite a few of her own sensibilities, and it’s certainly shown a far more dangerous, if not sinister side of her as a perfumer than anyone could have expected, least of all this longtime fan on the other side of the world. Labdanum – one of the oldest, most sacred perfumery materials – was a leitmotif of the DSP, and her opulent, labdanum-rich Dev #4 puts labdanum front and center in a whole new, peerless – and heartbreaking – light. (Ellen, I’m saving those other Devs for the (unlikely?) event I find a testosterone bomb to put them on…😉 ) Her Lil unnerved my colleagues many times this past year, before I swiped them off the floor in a photorealistic rosy swoon with her glorious Ballets Rouges.

Opus Oils

When I get rich, I want of everything Isis by Opus Oils. Because blue lotus – one of my favorite floral notes – really, truly doesn’t get any better than this. And when I want to bring out my inner hell-raising bad-gal, Opus Oils and Michelle Kredd Kydd’s M’Eau Jo no. 3 is the best intoxication to be found this side of a bottle of Jack D’s. In no time at all, I’m backstage again on a sofa in a green room with a libertine, cleavage-loving guitarist, sharing the filthiest jokes we know…

Ormonde Jayne

When a line has more hits than misses with me, I know I’m in trouble. Or I am trouble. Which is precisely what I am whenever I’ve worn Orris Noir, and that happens often with this luminous, rich and decadent iris. This past summer and early fall – or just whenever I’m in the mood for bluer skies and warmer climes – I’ve added Frangipani to my Ormonde Jaynes, simply for being the embodiment of everything tropical and happy and positively perfect, which is how it makes me feel, although I really should know better. Do I care? Not in the slightest.

Puredistance

If there is a celestial location where the epitome of spring is kept on tap, where Green reigns serene as well as supreme, then surely, it smells like Annie Bezantian’s masterpiece for Puredistance,Antonia? If there isn’t, there certainly should be.

Parfums Serge Lutens

2012 was the year I delved quite a bit deeper into the nefarious doings of Mssrs. Lutens and Sheldrake thanks to the interventions of a few perfume fairies. I’m not sure whether to thank them or curse them for that…but I’ve worn a lot of Lutens this past year, among them Rousse – I come from a long, long line of redheads, or at least that’s my excuse, De Profundis, which was everything in a chilly green kiss I could possibly have hoped for, and the breathtaking Sarrasins, which shot to the top of my jasmine exosphere in a flash and sank me to the floor in a heartbeat, overcome by this outrage of night-blooming jasmine so stunning, my world twirled, tilted and has never been quite the same since.

The Japanese Zen masters have yet another word for that instant when suddenly, all those random little factoids and odds and ends of things you know – or thought you did – fall into place as if by magic, and everything becomes as obvious as breathing, as clear and as sparkling as Baccarat crystal. That heartbeat when suddenly you get it, you get it all – the beauty, the peril, the earth, the sky, the air…the art? Zen wrapped all of it into one word and called it…satori.

Aren’t those the very moments we live and breathe for?

With thanks to all the perfume fairies!

Falling Forward

 – an ode to my favorite fragrant Fall thrills

Autumn is one of my favorite times of the year. A little melancholy, slightly tinged with regrets for what might have been and what should have been done, autumn has also proven itself to be the season of cataclysmic change this year, a change so drastic, it’s been all I can do to hang on by the skin of my teeth and know…that all I can do is to go with the flow and give myself over…to evolution and the knowledge that from here on, life can only get more exciting.

And I can give myself over to the many pleasures of falling forward…into autumn, into the incendiary glow of golden-leafed trees, ruby-hued leaves, and the intoxicating sharp scent of burning wood fireplaces and bonfires, the smell of mushrooms and cepes sprouting up overnight, the sound and scent of apples falling to the ground, that looming breath of steel and stone that lurks beneath the colors and the chills in the air. Wrapping my chilly, wintry self into favorite woolen sweaters, and wrapping favorite scarves and mufflers around my neck, inhaling that palimpsest of perfumes worsted in the wool.

Autumn is also an excuse for hauling out the heavy, heady perfumes with which to slay the unsuspecting world – the ones I wear as I would wear cashmere, the ones that comfort and console me on rainy days and Thursdays, the ones I wear like scented armor, and all the ones I love…

Below, you’ll find some of my favorite autumn fumes, the ones that contain October  and November in their essence, the ones that trail behind me like the ghosts of autumns past as well as harbinger angels of the future possibilities that lie ahead, waiting for when life returns and all is green again.

L’Artisan Parfumeur – Seville à l’Aube

It’s generally agreed that Bertrand Duchaufour is one of the greatest perfumed geniuses alive today. His work has ruined me several times over this year, when I was introduced to Neela Vermeire’s breathtaking perfume odes to her native India and all three of them shot to the top of my Most Worn of the year list. Next came an introduction to L’Artisan’s Dzongkha – one haunting, numinous iris – and Sienne L’Hiver, no less haunting and evocative. They all broke my heart. But when I read of Duchaufour’s collaboration with one of my own inspirations, Denyse Beaulieu of Grain de Musc, and heard the fated words ‘orange’ and ‘blossom’, I was had at the first syllable. Oh! So imagine my anticipation when I moved in on a split of Seville à L’Aube blind (this very rarely happens any longer), and all it took to tip me over the edge was one fatal sniff…My full review will be up in a few weeks, but this mesmerizing blend of orange blossom, lavender and incense is …flawless.

Amouage – Memoir Woman

Something about autumn brings out my inner Goth, which is to say, that part of me that appreciates seriously depressed-mode music, rainy days, and lots of witchy black velvet. While I wouldn’t be so bold as to say Memoir Woman is Goth per se, I will say that it is a moody, magnificent, haunting perfume of a kind that tends to stick in the mind long after it wears off. I didn’t like it much at first, but I couldn’t stop sniffing. It reminded me of a advertising tagline I once cooked up for a story I wrote: “Haunted. What he will be.” Haunting, unforgettable, there is nothing quite like it and nothing quite like a love that grows and grows to haunt you.  As it has. As I have been. As I remain.

Serge Lutens – De Profundis

Some claimed that dear Uncle Serge had somehow lost his marbles when De Profundis was released, and I have no idea what mushrooms they nibbled, because De Profundis – inspired by the treatise by Oscar Wilde, death and funereal chrysanthemums – is simultaneously green, cool and impossible to forget. Incense, chrysanthemum and a mesmerizing icy green-tinged, tear-stained violet chill all add up to ‘spellbinding’ in my book, but if any Lutens is perfect for that delicious melancholy that pervades October Sunday afternoons, it’s this one.

Aftelier – Cepes and Tuberose

My first introduction to the fabled perfumes of Aftelier was Mandy Aftel’s justly famous and unorthodox Cepes and Tuberose, which is earthy, floral, spicy, heady bottled magic – or else a horror story of mildewed mushroom and airy tuberose. There is truly nothing at all else quite like it, and you either adore it or hate it. I have since that fatal introduction loved it so much, a mini of the parfum goes where I go and a dab often wafts as I breathe no matter what else I wear. It smells golden to me – golden as the maple leaves that now are turning red to bloom in midair and dance their leafy sigh into the ground.

Neela Vermeire – Trayee

Whether it’s the blaze of color or the sudden shock of chill in the air, there is something numinous about autumn, something that reminds you of the passage of time and the ephemerality of all life. When that sudden pang of mortality hits me with the delicate slap of a falling leaf, I often reach for Trayee, a swirling, whirling, spicy Mahabarata epic in a bottle, wit its fiery, feisty cardamom, a wink or two of sacred bhang, smoke, incense and samsara. In no time, my spirits lift and my mood improves, and I dream such faraway dreams of other times and other, sacred spaces.

A Trinity of Ambers

Autumn is also the perfect time for ambers…those glorious, heady, drop-dead sexy golden potions I once hated and now love with a fury that teeters on obsession. Three in particular hold pride of place in my amber-tinted Pantheon, and I’m not even sure I can bear to know there will be others in their wake. The Great Khadine, Serge Lutens’ Ambre Sultan, with its opening green bite and its sumptuous drydown, whispers its secrets in my ear, while Amouage’s Opus VI speaks its twisting, turning, ever-evolving tongues of wood flickering in firelight, and when I stand still and listen to the beat of my heart in the moonlight, Neil Morris’ Rumi trills its transcendental tale of another kind of sweet-scented magic.

Labdanum dreams

The ongoing Devilscent Project has completely changed my life around in more ways than one. I could talk about these unbelievable perfumes until the cows came home to roost, but the one note the Devil insisted upon to his perfumers was labdanum, a whole fragrant universe unto itself, and one of the oldest perfumery materials in the world. When life has been known to grind me down, Olympic Orchids’ spare, pensive Dev #4, which puts a magnificent labdanum in the spotlight, centers me as nothing else will, so even I can envision such luscious, labdanum things come true. As I do, I’m often taken back to a midnight moment in time, and when I am, another spicier, darker, more ominous labdanum-tinged marvel wafts forward, and that is Neil Morris’ Midnight at the Crossroads Café.

Olivier Durbano – Black Tourmaline

One reviewer on Fragrantica stated that Olivier Durbano’s Black Tourmaline was ‘for real men only’. This is absolute nonsense. For Black Tourmaline is a stunning mélange of leather and the darkest, deepest, smokiest incense you can imagine, and I’ve received many, many compliments when I’ve worn it, despite being nothing masculine in the slightest, not even in a tux. It’s as otherworldly as a fog-drenched November morning and as warming as a firelight glow at night, and when it goes, it will be missed, like November, like firelight, like a ghostly wisp of cloud bearing down to kiss the earth one last and final time.

More than any other season, autumn sings to me of time passing, of moments as fleeting as the bloom of glowing leaves dancing in a deep blue sky. When Debussy’s ‘Clair de Lune’ seems to match the tasty tristesse of a rainy afternoon, and when the smoky thrills of firelight and flame warm the soul through.

What are your autumn favorites? Or just…your favorite things about autumn? I’d love to hear about them!

With many thanks to…Andrea, Amy, Ruth, Christopher, Mandy, Ellen, JoAnne, Neil and Christos. 

Come To Me Running!


– a review of Neil Morris’ Vault Collection – ‘Rumi’.

Do you have your own perfume Kryptonite – a note that makes you turn green in all the worst ways to the point of feeling physically debilitated? Something you just can’t stand no matter how hard you try and no matter what you do – a note or an accord that won’t work for love, money or threats of asphyxiation?

Until recently, I had two. Two notes, two accords on the bass lines of perfume, but no matter how hard I tried to expand my olfactory vocabulary and horizons, my nose and amygdala just weren’t feeling it.

I hated…amber. That smoky, boozy blend of labdanum, tonka, benzoin, vanilla and other components was complete anathema to my nose. It was just too… animal, too obvious, too…much for this cerebrally inclined chypre fan, so I would just pass them by and leave them to the brunettes of this world to appreciate, thank you very much.

Labdanum in its unadulterated state was another story. Labdanum with all its intimations of goatish animal got my motor running for many suspect reasons, which is why I made it a component of the Devil’s scent.

So it was until I came across an article in the UK Guardian around Christmas last year about that elusive Holy Grail called Sex in a Bottle. One way to grab my attention, so off I went to locate a sample of this fabled ‘fume, and by golly, it was…Sex in a Bottle. It was everything I hated and detested, and it was unlike anything I had ever encountered before and rarely since. It was – indeed, is – one of the most celebrated amber-centric perfumes on Planet Earth. It was Ambre Sultan by Serge Lutens. To this day and to this amber-phobic, it is the Khadine of ambers. A decant made its way into my hot little hands before long, and over the course of this winter, I killed it to the very last, über-precious golden droplet.

Maybe I just hated bad ambers? On I went to Olympic Orchids’ Olympic Amber, and learned to appreciate the amber-based drydowns of other perfumes since. Olfactoria may claim to her heart’s content there is no such thing as too many ambers, but I wasn’t entirely convinced of the truth in that statement.

Enter another devious Great Facilitator, JoannElaine of Redolent of Spices and a care package she sent with much love. Nestled among the storied glories of that prosaic cardboard box was a small vial containing an amber fluid and the label ‘Rumi Neil Morris Fragrances.

My curiosity will surely do me in some day. Even though there were other stellar contents in that box, that little vial was the first one I reached for, unpacked, and sniffed. Yum. I sprayed. Next I knew, I swooned, which is the polite way of saying that a large amount of unprintable language ensued and I had to sit down.

Neil Morris is one of the inside secrets of the perfume world so hyper-cool, no one you know has ever heard of him, unless you know a few dozen perfumistas. I read about him and a few of his fragrances on the Perfume Posse first in connection with a New York Sniffapalooza, I believe it was. The extent of my knowledge was…he’s a Boston-based perfumer, he makes really good stuff, he’s a big, burly, adorable teddy bear. He’s made perfumes for the now much-mourned Takashimaya department store in New York, bespoke creations and a collection of about forty perfumes known as the Vault Collection along with his main line of fragrances.

Oh. Yes. The utterly swoon-worthy contents of that little vial that gave me a rate of about 50 cps and revving. (Cows Per Second. For the SLS definition of having a cow, read this.) He made that, too.

Rumi – Neil’s perfume tribute to the famous Sufi mystic, teacher and poet of Konya – is an amber like the Khadine, closely related but sweeter and rosier, not so intimidating to look at but every bit as saucy. It is heady, rich and opulent like all the very best ambers and then again, not all ambers have made me swoon quite so much. I can tell you the notes – see below – and still, I won’t have managed to convey the overall impact of this.

Just as Rumi the teacher, the poet, the mystic was a proponent of transcendence as a path to divine love – this perfume is nothing more nor less than…a transcendent amber. It starts with a punch in the senses of deep rose and plush ylang ylang, but that glow in the dark, velvety aspect of benzoin, patchouli and amber is never far behind and there it stays and it pulses like the living, beating aura of some otherworldly, sacred creature. It stays, finally glowing down to embers of spice, patchouli, myrrh and frankincense, says my nose, and I never, ever want it to leave.

You may come to ‘Rumi’ as simply a spectacular amber. Meanwhile, I sit here in my perfumed cloud and for the first time all day, I feel centered, peaceful, I feel as if I’ve surpassed and suspended my own petty limitations, silly wants and desires to somewhere…elsewhere, a space where only the moment exists and this moment is enough and more than enough, a space I never knew until this deep, deep breath of heart and soul, faith and laughter combined. In one word, it would be…joy. The joy of the moment, the joy of the soul, the joy that comes from feeling yourself connect from the grass beneath your feet all the way to the stars whirling their own celestial devotion above your head – you are all of you all of it and all of it is…one.

If anyone could understand such a feeling, it would certainly be Rumi, if any perfume could evoke it, it would be the one named for him.

Come to me running, Rumi, and let us whirl with our joy out beyond the stars!

Neil Morris, you blew me to dandelion fluff! Thank you for that! Now I can only wonder what other wonders have you made?
For JoannElaine, thank you is far too small a word for the epiphany that you sent, devious facilitator that you are!

‘Rumi’ is in Neil Morris’ Vault Collection of perfumes, available from Neil Morris Fragrances.

Notes: Ylang ylang, rose, benzoin, patchouli, amber

Illustration: the Paris-based artist Hassan Massoudy’s calligraphy portrait of Rumi.