Her Serene Empress of Rose


A review – and a long-ago tale – of Amouage “Epic Woman”

Very many sunsets ago in the fabled city of Samarkand lived a widow who had grown rich from the many rivers of treasure that flowed through like water from all ends of the great Silk Road. Silks, samite and ebony from faraway Cathay, spices and perfumes and gems from India to the far south, rare and costly incense from distant, mysterious desert trees, woods and essences from Chenla of the many wondrous stories the merchants exchanged like their goods in the teahouses by the riverside on breathless, hot afternoons.

The widow herself was of indeterminate age, not quite old and wizened by her years, but not so young she was an easy prey for the traders out to make a profit. Once, so the local gossips said, she had been a slave girl brought from a mountain kingdom to the south and west, but this slave girl had somehow managed to marry into a trading house, and when her husband died, she had continued his business, handling merchants and caravans and all manner of goods and trade with equal and admirable ease. No merchant was ever short-shifted in a trade, no caravan mistreated, and even the camels she knew to make happy in her care.

Like all women in any age and indeed all traders, this widow had a secret. In a private, locked room in her apartments grew her most prized possession. Not a huge Indian diamond sparkling in the sunlight, not any bauble or trinket of any empire north, west or south.

It was a rosebush. No more, no less, nothing else. One small, perfect rosebush, easy to overlook on its ebony tray in a sunlit spot were it not that it flourished in a priceless, ornate vessel of jade the green of the riverbank willows. It was a rose bush, yet no rose bush ever held such velvety blooms of such a ruby hue, and no rose along the Silk Road east or west ever held such a scent. To breathe it in was to know the true significance of the word ‘rose’, to know this rose was to know the secrets of all roses who ever bloomed, and any woman who loved roses. To know this rose was to know the very soul of a flower beloved of the world entire.

Yet today, this day like any other in the still heat of a Samarkand afternoon, the time had come for the rose bush to move on. The widow, her black eyes smiling through the fragrant steam of the silver tea tray, leaned forward on her pillow. This man, she knew to tell, had not come from Samarkand. He could have been from anywhere further west along the Great Road, from Persia, perhaps, or further south and west still, from Damascus of the many marvels, or the storied Bagdad where the great Harun ar Raschid ruled still, so it was said.

He was a tall, upright man in his late thirties, with the watchful, guarded eyes of a desert hawk, and as any hawk would, he never looked away from the widow. “You have cared for your secret well these twenty years, and you have prospered because of it. I was told to bring it on, many, many leagues away to where the incense trees grow beneath the desert stars, and to give you this…” he reached in his robe and laid a small object on the costly carpet – “as a reminder of your pledge.”

It was a carved rose in a singular hue of jade, the cloudy pink of a fading sunset, and the widow had not seen it for over twenty years. It was indeed a reminder of a promise she had made so many years ago, a promise that this rose bush would never wither, never die, and so long as she held faithful to her pledge, her care should be rewarded. Indeed it had, and yet, as the widow saw the sunlight through the screen sparkle on the jade, she felt a pang deep within her soul to realize she would never breathe its scent again, never know such a heartfelt, visceral joy. There would be other pangs, other joys, this much she knew, but none like this little rose bush.

The sun streaming through the latticework of the window onto the carpet was not enough to comfort her. Nevertheless she had promised, and she never made a promise she would not keep. It was time. That jade rose before her was proof. She sighed, clapped her hands to summon a servant, and sent for the rose.

“You will tend it with care?” She grabbed the man’s sleeve as he prepared to leave with his little treasure. “You will make certain this rose will not perish on its journey?” In her eyes, the man read a fervent plea, as earnest and as passionate as any mother’s for a beloved child.

“This, lady, is a rose that will never die so long as my people tend it,” he simply said, before he wrapped it with the utmost care and bowed before her. “As you gave your pledge, I give you my promise.”

He was gone in an instant down the teeming Samarkand street, golden in the late afternoon.

All along the wide and winding Silk Road the little rosebush traveled, and as it did, it seemed to absorb the many scents of the goods it met. Spices in a pouch on a passing camel, rare woods from Chenla and India on a merchant’s laden wagon, the jasmine and geraniums blooming in the courtyard of a Persian caravanserai. At last the rosebush came to grow in a secret oasis in a hidden mountain pass, where the Bedouin stood guard beneath the stars by their own costly treasures of myrrh and frankincense, and those, too, the rose absorbed and enriched with its presence.

For over a thousand years and many more the rose bush grew in its hidden valley oasis, grew and bloomed and thrived, forgotten by all but one family who kept their secret well, until the day came, as it had so long before, when it was time for the rose bush and its secrets to move on through time and out into a wider, wilder world.

One day, a perfumer in an Omani teahouse heard a rumor of a rose in a remote oasis, a rose unlike any other, a rose that knew all secrets and held all its history and all its long journey within the velvet folds of its blooms. As the perfumer stared into the depths of his peppermint tea, he thought to himself; “Such a rose is like a fairy tale. It never existed as anything but a rumor. But if it doesn’t yet, then I shall create it.”

So he did.

Yet in a remote and hidden oasis in the mountains, a deathless rosebush blooms still, for so long as one heart, one soul can truly love a rose, it will never die.

Notes: Pink pepper, cinnamon, damascene rose, geranium, jasmine, tea, amber, musk, frankincense, oud, sandalwood, guaiac wood, patchouli, vanilla and orris.

Amouage Epic Woman is available at Luckyscent, Aedes and First in Fragrance, and from the Amouage website.

Not Mad, Not Bad but Dangerous to Know!


– a review of Byredo’s ‘Baudelaire’

Picture an eighteen-year-old punk, circa 1981, small, tattered, all in black and wearing way more eye makeup than any two eyelids should ever have to bear. She was curled up on a mattress on the floor with her nose stuck in a book, which was indeed the case quite a bit of the time, when she wasn’t arguing political theory (more books!), throwing toilets out of second story windows (true story), or planning what would happen once the revolution came, and that was due, any day now…

One of her main partners in subversion was a 6’4” stringbean of a guy, a dead ringer for Henry Miller at 23 and just as avid and voracious for life and all it included. He kept throwing books at her, and she kept reading them – Emma Goldman, Henry Miller, Piotr Kropotkin, Marx, Hemingway and Kerouac, Lessing and Jung and Horney and Laing, Huxley and Capek…and on one long February night, sandwiched somewhere between Kant and Kierkegaard, a certain long-deceased Frenchman of dubious reputation. (Always the best kind!)

The well-worn cover of this fifth-hand book read “The Flowers of Evil”, by Charles Baudelaire. Just as his poetry had done so much to revolutionize poetry, poetic subject matter and even literature itself on both sides of the English Channel and the Atlantic, this one byword for bohemian decadence and dissolution completely and utterly rearranged this poor eighteen-year-old punk’s mental furniture…for life.

Byredo, a niche house based in Stockholm, isn’t a line I’ve tried before. In choosing to create a perfume and give it the name of my other favorite poet on Planet Earth, all I can say is – they have a lot to live up to! I look at that sample bottle and wonder what’s inside it. Can I expect laudanum phantasms and opium dreams on Montparnasse divans, as Jeanne Duval laughs mocking in the background? Could this be Baudelaire’s incendiary poetry in bottled form, slithering out of the bottle and sliding into my nose to perform unspeakable acts of depravity on my Jacobsen’s organ?

I’ll answer those questions first: Not quite, not really and…I wish!

First of all, Baudelaire is…very, very smooth. Very peppery and even bitter-green intriguing on the outset, before it intrigues even more with a smoky, dark brown, bitter incense that settles and stays and never strays. The incense gets in league with patchouli and black amber somewhere along the way – here we enter a color located precisely between brown and black – and gets only a bit sweeter. It’s slightly animalic and yet not well-behaved, either. There’s a tinge of naughty in there, but naughty is not subversive, and subversive is not quite so smooth or so alluring.

Sexy. Borderline dangerous. Definitely a masculine scent, because I don’t have nearly enough cojones to wear this with any degree of conviction. It is very intelligent, with that exceptional incense note that is miles away from any other incense I’ve tried, and yet there’s something in there that reminds me of that famous line said of Lord Byron: Mad, bad and dangerous to know.

Baudelaire is neither mad nor the slightest bit bad. It hasn’t received a lot of love from the perfumosphere, and that baffles me a bit, because it is intriguing, intelligent, and decadent in a good way. Opulent might be a better word to describe it, but I have to say it – this is a walk on the dark side, and if you can’t walk that walk…you’d better stay away.

I found a good home for the rest of my sample – and a little goes a long, long way. I gave it to the Scorpio. It suits him perfectly. He’s exceedingly smart, funny, very sexy and indeed…dangerous to know! 😉

For another take on ‘Baudelaire’, Brian of I Smell Therefore I Am had this to say about it.

Notes according to Fragrantica:
Top notes: Juniper, Pepper, Caraway
Middle notes: Incense, Hyacinth
Base notes: Papyrus, Patchouli, Black Amber

Image of Charles Baudelaire: pixfr.eu

The Devil’s Brief


I received an email from Doc Elly early this morning about something she found in her inbox, and I rather suspect you might be interested, so without further ado, head over to her blog, Perfume Project NW, for further details!

And big thanks to Bloody Frida, who gave me the perfect word for my own reaction:

SQUEEEEEEEEEEEEEE!

Yes, I’m excited. So I’ll slink away into the shadows again and get back to that Other Thing I Had To Do…

😉

Tarot Card: Guiseppe Lama, Voodoo Chilli

Calorification or…All buttered up and no pain to go!


– a review of Serge Lutens’ Jeux de Peau

In an ideal world, there would be no such emotion as…guilt. And no such thing as calories, either. Just run with that thought for a moment…Fancy all the chocolate you could possibly eat, and you would never see it on your thighs. Fancy every sinful thing to stuff in your mouth…every dessert, every bit of patisserie item, every napoleon, every Sacher torte and cheesecake and whipped-cream indulgence you can find room for – and it would never, ever show! No frantic calculations on the treadmill, no panting, gasping, red-faced run up That Hill And That Vertical Stairway– the one that nearly kills you, it’s so steep – as you pay your penance for indulging all your lowest sugar-laden cravings the day before.

What a concept! What a world! As we all know and only too well, that’s just not how it happens, alas.

Or is it? Because now the Great Punster himself, Serge Lutens, has unleashed ‘Jeux de Peau” upon a suspicious-minded perfumed planet, and because I strongly suspect an imp hiding in that elegant French gentleman, I rather suspect the joke is on…us!

We Who Would Dare To Indulge…If Only.

‘Jeux de Peau’ is itself a pun…a ‘play on skin’ that is a play on the French expression ‘jeux de mots’ – a play on words. In other words…a pun. When my sample arrived, it also arrived with an elegant beige and black card, and the enigmatic quote:

“A first response to solitude: hot bread.”

I’ve done my penitence in a bakery – literally – and during one of the hottest summers on record, so I know a thing or two about “hot bread”. I know about things like the acrid scent of fresh-milled flour and the smell of sugar burned borderline black, and pastries pulled out of ovens not two minutes before, oozing their buttery, flaky secrets, singing in their cinnamon-perfumed soprano voices:

“Eat us. You know you want to!”

So…is this pastry in a bottle? All the indulgence and none of the calories, less of the guilt? Toast or pain perdu on a solitary bed on a Sunday morning when you finally kicked him out and you’re left alone in splendid bliss to crunch toast all over the bed as you read the Sunday papers and drip jam and butter on the duvet?

No.

Remember, Monsieur Lutens loves his puns. This was very much not what I expected, but quite a bit more.

Right out of the bottle, that burnt note leaps forward, the genie in the bottle, and it is dark and it is gorgeous and when was the last time I ate toast, even? Burnt, buttery…and smoky sandalwood, and I can’t believe it, but is that coffee?
Yes. With loads of sugar, or is that caramel? It is! Burnt, sandalwood, caramel, coffee and I’m thinking this is a very sexy breakfast (he wasn’t kicked out!), and then comes the moment I have to laugh. Laugh at my overheated imagination, and laugh at this perfume, and that doesn’t happen often!

On stealthy feet, a luscious, sweet, cinnamon-tinged osmanthus exudes its honeyed apricot and begins to bloom. It grows lusher and sweeter, the epitome of Apricot, before it cedes center stage after a long while to the sandalwood – hello, lover, where have you been? – and cinnamon drydown, a touch of musk and maybe myrrh that lasts and lasts. And lasts. This is a Lutens, after all.

Whee! What a rush! And that’s just breakfast, baby!

Not very overpowering or even particularly sweet, ‘Jeux de Peau’ has dessert in its soul, but not in its heart. It’s the whole breakfast tray and that devastating sandalwood too, and therein lies yet another pun on the name itself. ‘A Play On Skin’.

It will take days to wipe this lascivious grin off my face. Days, I tell you!

This is a gourmand, an Oriental gourmand, but it is not your usual gourmand. It is unexpected, unisex, elegant, and like so many Serge Lutens creations, a journey, a story, a vignette or tableau in a bottle.

I was expecting the boulangerie. Instead, I got the morning after. With a laughing osmanthus thrown in.

Uncle Serge did not let me down. And although I know the joke is all on me (and the duvet, and the breakfast tray, and…), I forgive him everything!

Think about it – how many puns have you met contained in bottles? 😉

Serendipity


On the many strange occurrences that can happen in one day – or a few more than one!

I have learned over the course of a few years and more experience than I even want to remember not to expect too much from Mondays. Mondays are supposedly the days for New Beginnings, fresh starts, new opportunities to create, to do, to go.

I’ve learned better. Mondays, so my reasoning goes, are the days where I can look at a long and endless desert of days before that TGIF moment early Friday morning – that no matter what transpires today, it’s Friday, so how bad can it be?

Today was, all things being equal, not that kind of Monday. Today was a Monday – a humdrum, gray, overcast day, the last in the month of February, that completely blew me away.

Today, I sat down with a professional in my field for a discussion on What To Do With Tarleisio. We went through my online portfolio, discussed a few changes to implement here and there, and she critiqued a few items – good, bad, and spectacular.

The good news is – it’s fabulously not bad! The bad news is…I should be doing something else entirely. And she had some most excellent ideas about that, too. Starting with…

My passion for perfume, my passion for writing, and my passion for this blog.

It just so happens I’m a born communicator. I was fired up today, fired up about possibilities and things that could happen, feeling that breathless kind of ease that comes with being with someone who knows what you’re talking about. I think it helped too I was wearing a heady cloud of Incense Extrème, just in case I needed my stainless steel armor, and that she liked it very much indeed.

We spent quite a bit of time discussing this blog, discussing how it has evolved from my little tongue-in-cheek joke to something that amazes me every single day. I now have nineteen followers. Nineteen is not a huge number, but consider this…a recent study showed over one billion blogs in existence. The vast majority of those die an unnoted death after a while when those bloggers give up the ghost and the thrill of…writing for an audience of one. Of those left – about 1.5 million are updated more than once a month. This includes yours truly. Which means, put another way, that roughly one out of a thousand – give or take my craptacular math – blogs make it through their “audience of one” phase and on to gain a regular readership. Not a few of those are commercially marketed, with clickable ads and so on.

Not this one. I had not one reader when I started. A very loyal, steadfast friend became my first. I commented on other blogs, kept posting as often as I could, kept commenting. I promoted it on Facebook. I began a correspondence with several regulars and have made a point of replying to every comment I get. I gained more followers. And so it went…Along the way, I suspect I turned not a few of you on to Doc Elly, an independent perfumer so far under the radar – and far lower than she certainly deserves with that kind of talent – almost no one had heard of her. I think a few have by now, and I just know even more will!

If something’s good, if something catches my fancy and fires my imagination, if you give me an eighth of an inch, I will happily run with it and shout it from the virtual rooftops of my own imagination:

“Listen up, people! This is great! This is amazing!”

In whatever way I can.

As Ines of All I Am A Redhead reminded me on her own blog today, and Suzanne of Suzanne’s Perfume Journal did even more, quite possibly the best thing to happen was the faith I’ve had restored in…humanity in general. Perfumistas, perfumoholics, whatever you choose to call us – are some of the greatest people on Planet Earth. We anticipate the arrival of the mailman much more than we ever did before the Perfume Bug bit us where it hurt. We are introduced to worlds, horizons, places and experiences we would never know if not for perfume. We can rant, rave and commiserate over the state of the perfumosphere and the pretentions of marketing. And above all else, we can share our common passion with a vengeance – and connect with those out there, just like us.

For making that possible, for restoring my own faith in humanity, for reading and commenting and commenting back on my own sometimes inane comments, for accepting me as one of your own and asking about me when I was hit by the flu recently – I can thank you the only way I know. Through this blog, that tried to communicate the principle of “share the love”

Because we do, because we love what we do, because we breathe and sniff and exude and share, magic happens. Opportunities arise, the kind of opportunities some among us – that would be me – could never have begun to imagine on a July night during an attack of the “wtf…I’ll create a perfume blog!”

The kind of opportunity that can strike, at any time, at any place, and even on a Monday. Watch this space! I’ll keep you posted!

Image: “Serendipity” by Josephine Wall, 2007.