– a review of aroma M Camellia Perfume
Very nearly every moment of our everyday lives, we are surrounded by functional fragrances. Items we use every day are scented, from cosmetics to detergents both personal and quotidian, from dish soap to body washes and hair care products.
Once in a blue moon, it happens one of these seemingly everyday fragrances is so good, so euphoria-inducing and mood-improving, I for one catch myself wishing they could be made into a perfume I could wear. If that proves impossible, I simply do the obvious if I can… wear it as perfume.
This was emphatically the case last year, when perfumer Maria McElroy of cult favorites aroma M perfumes and House of Cherry Bomb successfully ventured into cosmetics with her Camellia Oil line of hair, facial and body oils.
Not only do each and every one of them rank as among the best, most luxurious and effective products I’ve ever applied to my face, hair and body, they also contain the same fragrance, a celestial blend of jasmine, gardenia, neroli, geranium and rose, all anchored by a heartstopping, glorious frankincense that isn’t smoky in the slightest, but instead sparkles with all its luscious, shimmering lemony-earthy-green facets. If that weren’t enough, they also contain camellia oil, the beauty secret of tsubaki-abura that has kept Kyoto’s geisha beautiful for centuries.
It goes without saying I used up almost all my samples to the last drop for both reasons – they were simply that good!
Maria’s background as an aromatherapist was evident in the fragrance she created for her Camellia Oils. Who better than an aromatherapist would know the lure of luxurious self-pampering doesn’t end with how effective a product is, but also how it makes us feel when we anticipate its pleasures? In this case, mirror-finish, satin-smooth, healthy hair, and likewise glowing, velvet-soft skin from top to toe, and last but never least its transporting, heavenly fragrance?
After the many deserved accolades from beauty blogs, perfume writers and editorials and countless requests from her customers, she took the obvious next step and made a dedicated perfume available as both a high-concentration eau de parfum and a perfume oil like her other perfumes from the Geisha line.
So here it is on my desk in both versions – the eau de parfum and the perfume oil (a form of perfume I’m certainly addicted to, because it never overwhelms and lasts and lasts).
A lot can be inferred about my anticipation by my reaction the day I received it. Dear readers, I tore into that envelope with alacrity.
This was one of those occasions when I simply knew by hope, instinct or experience that it would not simply be good. It would be – so I hoped – at least as beautiful as the products that inspired it.
My hopes were not wrong.
In nature, for all their definite visual appeal (which even Coco Chanel incorporated into her aesthetic), camellias have no discernible scent. But if I were ever given goddess-like powers to decide what hitherto unscented blooms would smell like, I’d waste not a moment’s hesitation in decreeing:
As for camellia, let it be this…
Camellia Perfume is a sibling of another perfume Maria created in collaboration with her House of Cherry Bomb colleague Alexis Karl. That perfume is Lil (for the Devilscent Project), an outrageously opulent floral bombshell, but Mademoiselle Camellia is nowhere so outrageous yet every bit as floral.
Instead, she seduces less by her presence but by her charming and seamless floral bouquet of classy, classic blooms; jasmine, neroli, gardenia, rose and geranium, which gives them all a viridian, fresh daytime edge, a flowery deep breath to invigorate and inspire you. The gardenia note in particular is slanted sparkling green by the geranium and does all it can to make those flowers sing.
Sing they certainly do from top notes to finish some long time later, but they also have an orchestra of luscious frankincense to accompany them. And such a virtuoso performance it is, too.
Frankincense, used for its fragrance for at least the past 5000 years, can veer in several directions in a perfume. With labdanum (another ancient perfume ingredient) for instance, it can be smoky, sensual and lascivious, yet here, it has been used as my most favorite frankincense type of all: the pure scent of the boswellia resin itself. Frankincense as it is used in perfume comes in three different varieties, each with its own olfactory profile. I’m not aware of what type of frankincense Maria used, but from the way it appears in Camellia Perfume, I’m going to wager my most favorite kind: Silver Omani, with its glorious piercing, pure lemon-meringue pine aroma, wrapping up those beautiful blooms with a bright, satin plume of happy, not at all a bad way to characterize the perfume itself, either.
As I’ve worn it these past few weeks, I came to discover Camellia perfume has a singular effect on my mood. In a September filled with not a few trials and tribulations, either of these versions has performed wonders in taking me to a happier, calmer place.
I said it before, I’ll say it again.
This is a perfume full of joy.
You now have no excuse for playing Camille or even paying homage to her real-life inspiration, the 19th-century courtesan Marie Duplessis.
But do spread a little happiness where and when you can, by paying your homage to this new and utterly delicious…
Dame aux Camélias.
Aroma M Camellia Perfume is available directly from the aroma M website as a high-concentration eau de parfum or as a pure perfume oil in a bottle that pays its own homage to yet another camellia lover.
Notes: Neroli, jasmine, gardenia, geranium, rose, frankincense.
Photo: Greta Garbo in the 1936 MGM George Cukor classic Camille. I like to think she’s sniffing this perfume. Duotone creation by me.
Disclosure: Samples of Camellia Perfume were sent by Maria McElroy. I’m not worthy.