Clarimonde Revisited

- At the crossroads of narrative, perfume and prose 

One of the greatest joys and highest privileges in my time as a perfume blogger has been the opportunity to participate in what I can only describe as …magic.

Instead of wrestling with concepts and angles, wondering how to write about any given perfume, the concept is already a given. Instead of wrangling ghosts in solitude, I could write away to my heart’s content, happy knowing that other bloggers wrote as I did, that perfumers felt as I do. As we did, as even I did, we each in our own ways created something that became larger, lusher and far more lustrous than any of us or our readers could have anticipated.

This was – and still is – known as The Clarimonde Project, named for the 1836 Théophile Gautier story La Morte Amoureuse, or as it was known when it was translated in 1907, simply – Clarimonde. The haunting, evocative story of the young priest Romuald who was destined for the seminary and had never known any other love than God’s, and how it all fell away in an instant the moment he looked up at his ordination and saw the celebrated courtesan Clarimonde and in an instant, all he knew and loved and believed fell away…or did it? Did he dream of his other, alternate life as Clarimonde’s beloved, or was it only too real and his old life as a priest of God the dream? Was Clarimonde simply a woman of incandescent beauty, or was she as Romuald’s abbot claimed, the vilest form of monster, renounced as vile as the sins Romuald surely  - or maybe – committed with her? Just as Romuald’s fevered prose, the story shapeshifts and changes each time you read it or listen to Joy Chan’s spellbinding reading of the story.

The Clarimonde Project is the brainchild of my dear friend and fellow blogger Lucy of Indieperfumes, and has since grown to involve not just some truly haunting perfumes, but also a Pinterest page and the inspiration for a masquerade ball and a three-day event at MiN New York to start on October 25th. Tickets to the event can be found here.

But it began…with the story, which can be read online here, or enjoyed as an audio file read by Joy Chan at this link, which is highly recommended.

It continued with bespoke perfumes, lipstains, and a dream pillow created by Monica Miller of Perfume Pharmer, Mandy Aftel of Aftelier, Dawn Spencer Hurwitz, Ayala Moriel Sender and the House of Cherry Bomb by Maria McElroy of Aroma M and Alexis Karl by Scents By Alexis.

So it evolved…into some of the best perfume writing to be found anywhere by some of the very best perfume writers in the blogosphere.

For the story of Romuald and Clarimonde – courtesan, woman, Woman or supernatural aberration – grew into other stories and other words, all of them a surrender…to the beauty of Gautier’s story and to the beauty of the perfumes that story inspired.

Of all my many, many words in my two years writing about perfume, I can say for myself that I have never written as I did for Clarimonde before or since. To this day, they all remain my very best perfume writing, just as the privilege to participate in something so special, so haunting and so magical is an honor I will cherish –  always. 

The Clarimonde Project on the Alembicated Genie:

Sangre – perfume and lipstains by Monica Miller: Blood and Kisses

Aftelier PerfumesOud Luban: The Sanctity of Solace

House of Cherry Bomb’s Immortal Mine: A Philter Perilous

Ayala Moriel Sender’s ‘Clarimonde’: Dreaming Venetian

Dawn Spencer Hurwitz‘ ‘Paradise Lost’: Reclaiming Eternity

The Perfume Pharmer’s reviews of
Oud Luban
Immortal Mine
Ayala Moriel’s Clarimonde
Dawn Spencer Hurwitz’ Paradise Lost

Jade Dressler

Deana Sidney’s (LostPastRemembered) post on Clarimonde, vampire lore and the perils of perfumed port

Scent Hive
Part One
Part Two
Part Three

Indieperfumes’ reviews of
Sangre
Oud Luban
Immortal Mine
Ayala Moriel’s Clarimonde
Dawn Spencer Hurwitz’ Paradise Lost

Beth of PerfumeSmellin Things: The Clarimonde Project:

The Clarimonde Project on WordPress

Clarimonde on Pinterest

Image: ‘Barbaric Red’ – via the Clarimonde Pinterest page, pinned from Hoop Skirts & Corsets

Best of the Best 2011 – Perfumes and Perfumers

If anyone had told me what kind of year I would have just three hundred and sixty four days ago, I wouldn’t have believed it. I would have believed it even less if I had known what magic carpet rides I would encounter, what places I would go, or what marvels I would breathe.

This has been an impossible list, impossible because there have just been so many discoveries and so many perfumes, perfumers and fellow bloggers I would have loved to have on my list, but if I wrote about them all – and surely, I’ve tried? – we’d be here until next year.

Instead, I’ve split my best of the best into three – this one, to celebrate the perfumes and perfumers I was introduced to in this momentous year, second, to celebrate my favorite reading material/avoidance actions/friends and facilitators, and third, a tribute to the ones I wore with a passion and loved with a fury. The perfumes I mention in this post have been without exception released this year, which meant omitting others that were released previously, but they’ll receive their own mention in Part Three. It also means that in spite of other important releases issued, I’ve only mentioned those I’ve had the opportunity to try.

Indie Love!

My heart belongs to the indie perfumers of the world. With a few notable exceptions, the idea of handling a perfume bottle that has been touched by the hands that made it, the mind that conceived it, the perfumer who wrote me, wrapped it up and sent it to me, Ms. No One In Particular, makes it that much more…special.

All the indie perfumers who have made it to my Best of list put the ‘mano’ in the Italian phrase ‘fatto à mano’, made by hand, made with love, care and ‘ àl ‘onore della m’arte ’ – “in honor of my art”, an art that mainstream releases all too often ignore in their mercilessly commercialized hunt for the Next Big Thing.

It is a dedication I have rarely found until this past year, a dedication I had all but given up on ever finding again. When you support the indies, you support the artists themselves instead of filling the already overstuffed coffers of Sanofi, Proctor&Gamble, LVMH…

Support your indie perfumers, and you support a commitment to quality and artistic vision that even the Fragrance Foundation itself has now acknowledged with a category all its own. For a reason – the indies are…that good! They do it without much advertising, but only simple editorial write-up (if they’re lucky to get it), reputation/word of mouth and a little help from the blogosphere.

The Perfumers

This was the year I discovered the staggering creativity of American artisanal perfumery. Granted, I had a lot of help to point me in that direction, but geez, Louise…the scope, the breadth, their sheer jawdropping, sleight-of-hand artistry…

Each has their own personal signature, that singular touch and aesthetic vocabulary that makes them instantly recognizable.

This being my own year of Great Epiphanies, I’ve decided that rather than single out one of them, I’ve put them all up on the Number One spot. Ladies – you have all won my heart and undying loyalty to my dying day, and I can’t ever imagine a perfumed life without any of you!

Mandy Aftel, Aftelier Perfumes

The early morning I found an email from Mandy Aftel in my inbox redefined that lovely Yiddish word…’plotz’. Yes, I did. I had read reviews, I had perused her website, I had some intimations of what to expect…so I thought. Nothing could have prepared me for the olfactory shock treatment my Jacobsens’s organ had in store. Mandy’s perfumes redefine sensual shock treatment. Mandy had an amazingly creative year – with Haute Claire in her collaboration with Liz Zorn, with Oud Luban for the Clarimonde Project, and with Secret Garden, her tribute to the classic florals of yore in collaboration with Dawn Spencer Hurwitz. Heaven help me, I love them all. Mandy herself has been a constant encouragement and inspiration for me this past year, and for that, I love her, too!

Dawn Spencer Hurwitz, Parfums de Beaux Arts

Where does Dawn Spencer Hurwitz quit? I mean…where does she quit? First, she blew my mind with Vert pour Madame, a throwback to my most favorite ever perfume family, the green floral chypre, and next, she created the Cities of Splendor collection in a unique collaboration with the Denver Art Museum, and then…she gave us Pandora, her staggering ode to Mousse de Saxe, and to top it off, she also gave us Paradise Lost for the Clarimonde Project. Not one I couldn’t love, not one I couldn’t rhapsodize about until the cows came home, not one misstep. Dawn’s perfumes will surely be the death of my borrowed credit card. Or me, whichever comes first.

Maria McElroy, Aroma M

Maria is someone who somehow manages to bridge the gap between the time-honored art of Japanese perfumery and thoroughly modern Western scented sensibilities. Her Geisha perfume line of eaux de parfums and perfume oils is incredibly diverse and heart-rendingly beautiful, and therapeutical, too! She outdid even herself when she gave us Geisha Amber Rouge, a thick, heady, all-out outrageously opulent take on her famous Geisha Rouge (another favorite of mine), but she also created Immortal Mine for the Clarimonde Project with Alexis Karl, with whom she makes Cherry Bomb Killer Perfumes. Maria has become very dear to me and she is as lovely in person as her breathtaking perfumes.

Kedra Hart, Opus Oils

I have reasons to suspect that Kedra Hart conjures up an imp for every perfume she makes, because in every Opus Oil perfume I’ve ever tried, it sneaks out and makes me write things or imagine things I never dreamed I could. Mischief and mayhem, time travel and Tiger, and I never know where I’ll end up, but it will certainly… be so much fun, I have to do it again. And again. Kedra, too has had a banner year…with her soliflore collection of good-time gals Les Bohemes, with her Wild Child that won the Patchouli Summer of Love award (and put the POW! in patchouli), with Starfucker for her house model, Tiger the Tempter, and with her latest amazing creation, the world’s first perfume for anosmics, Eau Pear Tingle, which I can’t wait to try. Had I but known that perfumed perdition could be so much fun…and I suspect, there will be…many more imps to come! And a Tiger. And other hazards to my sanity…

Honorable Mention:

No slight is intended to either Liz Zorn of Soivohle/Acoustijuice or Neil Morris, except to say I have been thrilled beyond measure and compare to explore two more lines I had never had the opportunity to try. Expect to see reviews of both Liz Zorn and more Neil Morris in the coming year!

Best Mainstream Niche:

The three that made it to this part of my list are both made by houses that hold a special place in my heart – Amouage and Serge Lutens. What’s worse is that I’ve only reviewed one of them, which will be amended shortly. My opinion is definitely in the minority, but I don’t care – they are each of them the reason I love what I do.

Vitriol d’Oeillet, Serge Lutens & Christopher Sheldrake

Serge Lutens released Jeux de Peau, Vitriol d’Oeillet and De Profundiis this year, and much as I liked Jeux de Peau with its burnt toast, melted butter and delicious sandalwood drydown, I loved Vitriol so much, I arranged for a decant…and drained it. I’m no stranger to the old-fashioned splendors of carnation, but not many carnations have surprised me so consistently as this one, from its pepper punch opening to its silky-smooth drydown and its hourglass shaped development.

Honour Man & Honour Woman, Nathalie Feisthauer, Alexandra Carlin, Violaine Collas with Christopher Chong, Amouage

One thing to love about Amouage is how their perfumes tell two sides to the same story from a masculine and a feminine perspective. Inspired by the final act of ‘Madame Butterfly’ as a filial tribute, they both represent something new – the resinous, black pepper explosion of Honour Man, and the love letter to the big, white floral feminine that is Honour Woman. Both beautifully rendered, both surprising, both stunning. As for the ex who drained my sample of Honour Man to the last drop…he can buy his own!

Favorite Indie Trend:

Once upon a time, I gave up hope that anyone, anywhere would ever love the Green Fiends of yore as much as I did. Was I ever…wrong! I came to discover the marvels of Puredistance Antonia, Aftelier’s breathtaking conciliation of galbanum and ylang ylang, Haute Claire, and Dawn Spencer Hurwitz’ Vert pour Madame and Pandora. Green is the color of hope, and all of these give me just that. If I were to look into a magic mirror and predict what might lie ahead, that rediscovery of green would be one trend, but more importantly, I believe that indie perfumers are rediscovering the inherent challenges and thrills of the all-out, opulent florals…as we saw with Aftelier’s Secret Garden, or the opulent Oriental, such as Aroma M Geisha Amber Rouge.

Worst Mainstream Launch of the Year:

Chanel no. 19 Poudré

I had such high hopes for this one, was so excited to try it, and was so unbelievably let down. What on Earth were Chanel thinking when they decided to give Chanel no. 19 a makeover? Yes, it’s difficult, yes, it’s different, and yes…it’s an icon for a reason. So they took my beloved no. 19, which I’ve worn for almost thirty years without fail, filleted it, flattened it, and added an overdose of baby powder to make it more palatable for the mainstream consumers who might be intimidated by the original. I was hoping for a no. 19 Eau Premiere. What I got was a pale, wan, semi-starved seventeen-year-old who photographs well but is very vague in person. Me, I’ll take intimidation any day of any year.

Worst Advertising Idea, Ever:

Nothing against the lovely Natalie Portman, you understand, but I am…in an outrage of epic proportions when I see that Dior has now dropped the ‘Cherie’ from Miss Dior Cherie and is now promoting it as simply Miss Dior. Now, an entire generation will equate this hot, synthetic strawberry mess with the perfume that made Dior famous. This is superbad in the worst possible way.

Best Mainstream Launch:

Bottega Veneta

Color me surprised. When a fashion brand best known for its hyper-luxe gloves and woven-leather handbags launched its own eponymous perfume, I had no expectations whatsoever. So I was in the perfect place to be taken aback by the restrained, elegant and very ladylike Bottega Veneta, which is nowhere so restrained it’s boring, but also so consistently well-made, it’s easy to love, even for this cranky leather fan. I might even buy it, so long as I get a handbag, too.

Coolest Fusion of Fumes and Phrases:

When Lucy of Indieperfumes asked me to participate in the Clarimonde Project in time for Halloween, thrilled was not the word to describe my reaction. A vampire story unlike any other, an immersion into the netherworld of dark and light, faith and passion – what wasn’t to love about that idea? Seven bloggers, six perfumers, one story and a kind of synergy I have a hard time describing, but some kind of magic occurred along the way, something very special was created in both perfumes and words, and in several compelling ways, I’m not quite what I was that day I wrote her back to say I’d love to be a part of it. Monica Miller of Perfume Pharmer, Mandy Aftel, Ayala Moriel, Dawn Spencer Hurwitz, Maria McElroy and Alexis Karl all rose spectacularly to the challenge of being inspired by Théophile Gautier’s 1836 story, and it was all this blogger at least could do to hope I was up for doing each of their creations the justice they deserved. Certainly, Monica, Trish of ScentHive, Lucy, Beth of PerfumeSmellin’ Things, Jade Dressler, Deana Sidney of LostPastRemembered and I pulled no punches each in our own ways to dive into the vials and wrest their interpretations of the story from them. All  – the words and the perfumes – happily coalesced into a special kind of magic I will always feel proud to have been a part of.

Most Dangerous Perfume of the Year:

Maria McElroy and Alexis Karl, Immortal Mine for the Clarimonde Project

I have reasons to suspect that on occasion, not even the perfumers involved in creating a perfume are entirely aware of just what genie they’re unleashing upon an unsuspecting world. The term ‘mortal peril’ is a bit of a cliché in perfume terms, but in the case of Immortal Mine, take my word for it – it’s no cliché here! I broke that dripping, blood-red wax seal and my blood immediately ran icy cold and scorching hot. Even now, I get goosebumps just thinking about it. Magic, mojo, that blood of a slayed Wyvern, the soil from an unmarked grave…whatever else they put into Immortal Mine, it is, hands down, the most dangerous thing I’ve smelled all year, and likely ever in my life. They will have to wrest this one from my cold, dead hands if they can…or bury me with it, so I can haunt my descendants!

Stay tuned tomorrow for Part Two – and more favorites of the year! And tell me, what were your best and worst of 2011?

Image: The Coronation crown of King Christian V of Denmark, made in 1670-71 by goldsmith Paul Kurtz in Copenhagen. This is the crown depicted on all DK coins and it is known as ‘The Crown of Absolute Sovereignty’. Image from the Royal Danish Collections at Rosenborg Castle, Copenhagen.

Reclaiming Eternity


THE CLARIMONDE PROJECT

The Clarimonde Project – Part Five
- the final thoughts of Romuald…

A tale – and a review – of Dawn Spencer Hurwitz’ ‘Paradise Lost’

I am dying. I know it well. I sense my rasping breath lift itself unwilling from my chest, hear the rattle behind it that foretells the chains they will use to lower my coffin into the earth.

And I see it also in the limpid green eyes of Séverine as she clutches at her handkerchief, her cheeks stained with her tears, who came to me borne on another ocean of sorrows, came to me as one who had lost all hope for herself, and in so doing, came to give me some semblance of hope that my penitence might have meaning, my betrayal a purpose I would some day come to understand, if never to forgive.

She had lost so much so young, is indeed young still, and even now, even after these ten years of the life we shared in this presbytery I could call my Purgatory, she does not know my secret, or the secret of her choosing. Yet I, who once knew so little of humanity and far less of women, know her well enough to say my secret shall be found, if not the secret that concerns her.

For Séverine is as like to my beloved Clarimonde as one drop of water to another, that same summer sunlight captured in her hair, the same melancholy aspect glittering in her eyes in certain moods, the identical vibrant wit in others, the same fairness of form that has haunted so many sinful dreams since the youth I can now only half-recall. So my decision to have her as my housekeeper became yet another penitence for my sin, yet another flail to whip the soul I no longer have any hope of redeeming.

Ah, what does it matter. I am dying, dying as the day itself is dying, the long tendrils of late afternoon light creeping up the walls of my bedchamber like the vines that will soon adorn my grave. Soon, Séverine will rise to fetch the candles and banish the shadows, and I would scold her if I could for her extravagance, but instead, I shall have her stay just a little longer and let that deep twilit blue linger as it can, and when it has faded to the black of night, so shall I leave this mortal coil behind me and pass beyond, to what damnation I cannot guess.

I inhale yet another precious breath and as I do, what miracle is this? What mirage of the dying mind makes me breathe deeper and inhale a perfume? Is this the one glimpse of Heaven I shall be allowed, the one frantic hope of a life all but gone in the twilight hour? In an instant, my heart, so leaden for so very long, lifts up and up and nearly out of a chest that knows only to wheeze its last, and in these blue shadows, I sense more than I see another kind of light, a light never seen by mortal eyes, the very light of Heaven itself, and my heart, my soul, my deepest, darkest sin…I see you, Clarimonde, beckoning to me…

I exist in this borderland of blue, suspended between day and night, between life and death, and you are here, I cannot question the flower-filled air I breathe, I cannot doubt the vision that has appeared before my eyes.
It is you, beloved, you yourself in every fragrant flower wreath that dances in your gleaming golden hair as you move around our chamber, costly, exotic flowers you thought nothing to buy as you desired when you lived, to wear or to clasp between us, you in this heated heart of perfumed candlewax that scented our desires, sweeter far than any joys of spirit I had hitherto ever known, sweet as the heady, opulent air that always pulsed above your skin, another aspect of my Clarimonde to breathe and to savor and to desire as no woman had ever desired, as no woman was ever desired before nor since.

This cannot be, this must be that last temptation of a dying man, this my last and cruelest punishment of the love I betrayed in my torment, but this perfume in my heart, this scent in my dying soul tells me other wise and sings other memories as fevered as my own dying wish…to see you once more, to feel you by me, to breathe you fully in one last, eternal time.

Clarimonde! It is truly you, it is you wrapped in the sable furs of our journey to Venice, it is you whose furs, whose magnificent clothes, whose very skin exhales all the richest, most decadent secrets of the Orient to tempt me away from all I knew and what little I had, before you came to me.

You come to me now, beloved, come cloaked in sables and russet silks and sacred myrrh, and I see you shining brighter than any candle, far more luminous than any earthly light by my bed, and I feel your heat in this hand that holds my own, breathe in your soul with every inhalation of your fragrance, a soul so pure and a scent so sweet not even the Almighty himself would dare deny us.

Séverine cries, Clarimonde, and I can no longer console her, no longer dry the tears that mourn my passing, but it matters not at all, for she will find my secret, this I know, and she will know to use it well and happily and there find another varied aspect of you, and in so doing, you shall find another kind of immortality.

Bend closer, my beloved. Bend to take this my last and dying breath, let me breathe your flowered secrets in again, and let me taste that glistening drop of blood on your lips. Let me remember the Paradise we lost and as I do, let us reclaim Eternity, and let us be forever reunited, forever one in this lingering twilit blue.

________________________________________

Notes for ‘Paradise Lost’:
Top: Wild blue chamomile, immortelle, pressed violets, golden champaca
Heart: Faded flowers, candlewax, Oriental lotus, black orris
Basenotes: Sable fur, fossilized amber, myrrh gum, bloody sweet accord, mitti. (attar of baked earth)

‘Paradise Lost’ will be available in a limited edition of thirteen antique bottles manufactured in 1907, the year of Lafcadio Hearn’s translation of Théophile Gautier’s ‘Clarimonde’.

Images: Bronzino, Lucrezia Ponciatichi, 1540, Uffizi.
Dawn Spencer Hurwitz’ ‘Paradise Lost’ presentation, my iPhone.

Thanks to Lucy of Indieperfumes for giving me the opportunity to participate in The Clarimonde Project.

Don’t miss the other participants in the Clarimonde Project:

The Perfume Pharmer’s reviews of
Oud Luban
Immortal Mine
Ayala Moriel’s Clarimonde
Dawn Spencer Hurwitz’ Paradise Lost

Jade Dressler

Deana Sidney’s post on Clarimonde, vampire lore and the perils of perfumed port

Scent Hive
Part One
Part Two
Part Three

Indieperfumes’ reviews of
Sangre
Oud Luban
Immortal Mine
Ayala Moriel’s Clarimonde
Dawn Spencer Hurwitz’ Paradise Lost