Category Archives: Aftelier Perfumes

Spring Flings!

spring-flowers

 – the Genie’s favorite Scents of Spring

After a long, dismal and dismally cold winter that seemed as if it would never end, Spring has finally…sprung. Even here in the North, even now as I wriggle my sockless painted toes in the glow of the sunlight through my window, and the cats show off their bellies in the warmth.

It’s finally Spring! Time to throw open those windows, time for those deep breaths of sunshine you can feel from the roots of your hair to the tips of your toes, time to wake up, smell the flowers and feel utterly, totally alive in a way the dreary depths of January just can’t muster.

When all of nature is bursting at the seams and exploding right before your eyes, those thick, plush ambers and Orientals seem a bit, well…obvious. Time to pack away those olfactory cashmere and lambswool sweaters and bring out the silks, chiffons and Egyptian cottons of the fragrant world, time to waft a little springtime of your own in your wake, for who knows what can happen when everything you breathe and all that you see exudes hope, new beginnings and promises that may – or may not – be kept?

Because you never know where a spring day may take you, or the glimpse of a flower may surprise you, so long as you carry the spring where you go.

Here, you’ll find the Genie’s own favorite Spring flings, the ones that put the spring in my step and the smile on my face, in an April shower or the depths of a May flower, so long as it’s Spring, my very favorite time of year.

Spring perfumes veer toward either the green, floral or green and floral, and this personal list is no exception. Perhaps one of the most famous of spring perfumes, Dior’s Diorissimo, embodies spring best of all, but since I haven’t had the privilege of trying it since sometime in the Eighties when we were both very different creatures of Faërie, I’ve had to omit it from my list. Some of them you might recognize from this blog or elsewhere, but all of them are loved and adored, and never so much as in the merry month of May, when all of Nature beckons us all to come out and play.

- The Greens of Spring

If ever a color sums up a season, surely it would be green? That scorching chartreuse that burns away all horrid memories of dun and brown, gray and white and lets in the sunshine for our souls.

If you love those great, glorious greens of old, if you could once be encapsulated in all the phrase ‘green/floral chypre’ contains, these are the ones to look for and breathe for.

April Aromatics Unter den Linden

Although linden blossoms in high summer in my part of the world, is there anything quite so honeyed or verdant as the perfume lurking within those fragrant yellow blooms? I think not, since Unter den Linden comes as close to my own inner vision of an exemplary linden blossom perfume as any I’ve ever tried.

Balmain – Ivoire

Ivoire has been with us since 1980, and last year was reworked and redone for a new and hopefully just as appreciative audience. Ivoire – I own the vintage EdT – is a green floral chypre that is consistently surprising, perpetually beautiful and perfectly seamless.

DSH Perfumes’ Vert pour Madame

Lots of potions lay claim to that hackneyed phrase ‘hope in a bottle’. Dawn Spencer Hurwitz’ tribute to those green wonders of our misspent youth doesn’t have to, simply because it is – hope in a bottle. Soft, elegantly restrained and effervescent as all the best greens are, this is suitable for both Mesdames and Messieurs.

Jacomo Silences

This underrated classic (if not by perfumistas), a close cousin to the rosier Chanel no. 19, is unique in that it manages in the space of its evolution to bloom through both spring and summer. From that lovely lemony lily-of-the-valley opening to the almost austere, dark, mossy depths of the drydown some very long time later, you’ve wafted a May morning, a flaming June noon and a hint of July thunderstorm, too.

Puredistance Antonia

I must have heard it not a few times before I ever tried it, but sometimes, the hype over a new perfume doesn’t do it justice in the slightest. Annie Bezantian’s Antonia for Puredistance is nothing more and never less than the flawless spring of your most fevered January dreams. Totally modern and totally timeless.

Green With A Twist

Spring reminds us workaholic writers of the sweet joys of dolce far niente, of sitting in the sunshine with a pastis enjoying the passagiata of a spring afternoon, entirely present in the moment and entirely content to be nowhere else but there watching the world go by. The perfumes below somehow wrap up the whole experience in several happy ways, and whether you prefer a pastis or the more subversive pleasures of La Fée Verte is entirely up to you…

Aroma M Geisha Green

Geisha Green is without a doubt one of the best and most bracing of absinthe perfumes I know, bright with that bittersweet twist of Artemisia, sweet with the promises of violet flower and leaf and herbal with a fabulous thick licorice facet that almost makes me want to drink it if I could over a sugar cube. As it is, I get to wear it, and dream of those passagiatas under sunny spring skies.

Opus Oils Absinthia

Another sweeter and more floral take on the fabled absinthe is Opus Oils’ Absinthia, which somehow manages to pair glorious wisteria, a sinfully sweet vanilla and that decadent wormwood and turn it into a green fairy with a positively wicked gleam in her eye. Et in Absinthia ego…

Parfums Lalun Phènomene Vert

If you prefer your greens strictly that – a bracing herbal kick in the winter doldrums to shake you awake and aware that yes, indeed, it’s time to come alive again, Phènomene Vert will deliver. Glorious on a guy, gorgeous on a gal, with a deft touch of jasmine to hint of the wonders of summer to come.

Vero Profumo Mito

One of the wonders of 2012 was Vero Kern’s spectacular Mito, an unusual green-floral take on all things marvelous, magnolia and green as a breath of fresh air in a beautiful Roman garden on a May afternoon. Wear Mito and write your own springtime myth any way and in any shade of green you please.

Burning blooms

In the story of Ferdinand the Bull, one magnificent bull had no intentions of moving from his flowery meadow just to fight in the bullring, and so he wouldn’t have, if not for a bee in those flowers…

There are no bees in these flowers, just all the fragrant wonders of the blooms themselves, so sit back, breathe in and live for a moment and a flawless, odiferous flower. This bouquet of wonders counts all my own favorite blossoms, and not a few of my own favorite florals, too.

La Vie En Rose

Spring arrived so late in my part of the world that I can’t expect to see the roses bloom until well toward Midsummer, but whoever needed an excuse to wear the Queen of Flowers on a gorgeous spring day? Not I!

Olympic Orchids Ballets Rouges

If it were somehow possible to drown within the depths of a rose, a rose so perfectly rendered people have turned to see the bouquet that wasn’t, Ballets Rouges would surely be it. I’ll happily dance a pas de deux with this rose on any spring – or summer – day.

Parfums Lalun Qajar Rose

This rosy wonder is a magic Persian carpet ride through the roses, with all the twist and turns of Sheherezade’s fairy tales, with its leaps and bounds and flourishes woven in to the weft and warp of pomegranate, rose, a tiny dab of oud and coffee too, just to color you surprised.

Serge Lutens La Fille de Berlin

So it’s not Her Majesty the Rose, it’s the Girl From Berlin, and such a lovely, soft rose she is – or so you’d think before she surprises you with that chypre-like bite. This is a rose that is as young as heart as you wish you were on a May afternoon, and who is to say wishes can’t come true?

Think Pink!

Caron Bellodgia

It wouldn’t be a proper spring list without at least one classic. Caron’s sunny, spicy Bellodgia is pure olfactory sunshine from its peppery opening kick to its spicy sunlit carnation heart, and whenever I wear it, I can’t help but laugh – that May skies can be so blue, that life can feel so effortless and carnations made so perfect.

Ringing all the Bells

Aroma M Geisha Marron

Lily of the valley is not a note I’ve usually sought out, since the ones I’ve tried have made me feel I wasn’t frilly – or girly – enough to wear them. The exception to that rule is another aroma M creation, Geisha Marron, which pairs a lily-of-the-valley with chestnut blossom and other wonders, and in an instant, I’m taken away to a spring day in Paris long ago when the chestnuts bloomed and a young girl’s life was changed forever on the day she truly discovered the art…of perfume. For some, it reminds them of autumn and roasting chestnuts, but on me, it’s a spring day in Paris a very long time ago when the chestnuts and the muguet bloomed and a perfumista was born.

Consider the Lily

Editions de Parfums Lys Mediterranée

Nothing turns me to absolute putty faster than a big, bold, odiferous bouquet of Easter lilies. (Now you know!) And although many, many perfumes claim to be lily perfumes, only one other I’ve tried is as beautifully rendered as Lys Mediterranée. It passes for spring and summer both, but surely, angels wear this one? If they don’t, then maybe they should?

All the flowers!

Aftelier Secret Garden

If like Ferdinand you think there is no such thing as too many flowers to sniff in the sunshine, then Secret Garden is a bottled bouquet of marvels from its fruity, herbal start to a delirious floral heart and a dizzyingly sexy drydown. Just so you’re reminded that not only sap rises in the spring, and there’s more than one way to bloom…

So tell me – what makes you bloom in spring?

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Note: I was reminded that I had forgotten to link to the perfumes previously reviewed here on TAG. This has now been amended, and where I’ve reviewed a perfume earlier, the title/name now links to my review. :)

The Adventures of Ms. Hare and Madame Hyde

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 – help to look as good as you waft!

As a blogger myself, I also read a lot of blogs. I don’t always comment as much as I know I should, but by golly, I read them. Of all those many blogs I read, not all of which are perfume-related, I have nothing at all but bottomless admiration for those intrepid ladies who (also) blog about the perilous business of beauty. My idols are not those countless twenty-somethings who wax poetic over the anti-aging benefits of Korean snail extract BB creams (I can’t take them seriously), but ladies like myself ‘d’un certain age’ who haven’t given up and packed it in. Who try stuff so I don’t have to as one of them succinctly states, who go where I can’t, test what I can’t afford or am able to obtain and always keep their sense of perspective in order, as well as their sense of humor.

Therefore, before I incriminate myself any further, may I say it: Jane, Gaia, Jen and CharlestonGirl ladies, I bow down before your utter, jawdropping awesomeness and dedication. You have never led me astray. And although this isn’t strictly speaking a perfume post, I’m no competition. Nevertheless – your stellar advice has changed my life in more ways than you know.

Yet, after a winter that has seemed to drag endlessly on and a milestone birthday ahead I dearly wish I could hibernate through if not bypass altogether, even impoverished perfume bloggers in the BFE sticks (that would be me) can sometimes get lucky and try things that neither cost the sun, the moon or all the stars but also deliver good on their promise without ever promising more than they deliver!

To that end, I recruited some help from my intrepid former roommate and present downstairs neighbor for an alternate perspective on some beauteous goodies I was dying to try. We can call her Ms. Hare. She’s 32, a definite Leo, and thanks to knowing yours truly, a reformed and dedicated lover of all things niche, including the contents of my perfume cabinet. Ms. Hare has a thick, wavy bush of dark brown hair – apart from the color the kind of hair I once had before age, offspring and years of coloring abuse caught up with it. She has taught me the proper use of a hair dryer. (And much else besides). She is therefore uniquely qualified as a test bunny for one particular product I shall get back to in a bit.

Meanwhile, there’s yours truly. I stubbornly refuse to make Botox or cosmetic surgery part of my future, but south does seem to be the general direction in which I’m heading, in spite of all I do, massive amounts of daily sunscreen for over twenty years and a year-round perma-pallor. And something has to be done. I’m not dead yet. Neither, much as it pains me to say, is my vanity. Which received a bit of a dent last year when a dermatologist diagnosed me with atopic dermatitis and put a serious cramp in my style.

What to do, what to do…

The Miracle Workers

Skye Botanicals African Gold Shea Butter

Shea butter has long been the ingredient du jour in the battle against dry skin, psoriasis and other epidermal ills. I had never encountered the Real, Undiluted Deal until Monica Miller of Skye Botanicals/Perfume Pharmer was sweet enough to send me a jar of Skye Botanicals ‘African Gold Unrefined Shea Butter’ when I complained about my horrible traitorous dry skin. This is – let me say it – marvelous, magnificent stuff. Bright yellow and with the consistency of a salve, I’ve used it on my face, the frayed ends of my hair, on scaly elbows, knees and heels, dry hands and everywhere else I could think of, which is basically – everywhere else. I haven’t woken up with the face of a twenty-five year old, but that’s OK, too. A little goes a long way, my skin and I have been on very civil speaking terms since and I never want to be without it again. As if those wonders weren’t enough, it won’t break out your skin or even the bank. Run, don’t walk, straight to Skye Botanicals and buy it. Your skin will thank you by looking the best it ever has, considering that compass is headed south…

Also from Skye Botanicals is the gentle Rose Facial Toner, which has not only convinced me to use toner after cleansing (this is called progress, darlings), but is also great for setting my makeup. Plus, it smells deliciously of wild roses. What’s not to love?

No Snake Oil In Sight

Aroma M Camellia Facial Oil

Skincare oils are suddenly everywhere, even here in the BFE boonies. Had you told me even six months ago I’d be a convert too, I wouldn’t have believed you. Aroma M’s incredible Camellia Face oil – concocted from camellia, carrot seed, golden jojoba, apricot kernel, evening primrose, virgin argan, jasmine, geranium, frankincense and neroli oils – was inspired by Maria McElroy’s expertise with both Western aromatherapy and Japanese Gion Geisha beauty rituals and not only combines the best of both worlds, but also does wonders to rehydrate and nourish the skin, even mine. I love nothing better than to eat my own words on facial oils. My skin adored it. I adored it. I woke up in the mornings without wanting a steam iron for my face. Although I still haven’t woken up with the face of a twenty-five-year-old, I certainly feel far more fabulous than I ever did! Which is also the perfect description of the scent – fabulous.

Aftelier Jasmine Face Elixir

Jasmine oil, so says my aromatherapy research, has anti-aging properties, works to calm the nervous system and relaxes. Mandy Aftel has combined the organic oils of grapeseed, sweet almond, rice bran, squalene, camellia and rose hip to concoct a heavenly, jasmine-scented blend. I’ve used it at night both over and under my night cream, and this has really put the capital G in my g-l-o-w. If that’s not a recipe for sweet dreams, I don’t know what is.

Aftelier Lavender Fresh Ginger Body Oil & Hair Elixir

Since I was brainwashed in childhood with Yardley’s English Lavender soap, I’ve had a soft spot for lavender in perfumes and body care products. I was a bit disconcerted to discover that this dark green gem has since been discontinued, but in the “I can’t believe it’s good for my skin” department, Lavender Fresh Ginger Body Oil checks all the boxes. It’s a favorite color. It smells utterly divine, with both the calming green, herbal and floral scent of lavender and the kicky, spicy fire of fresh ginger. It smoothes my crocodile hide to sensuously silken softness. It has also gone on the frayed ends of my hair with great results, so long as I remember a little goes a long way. All that’s missing is someone to appreciate it, but at least Hairy Krishna has been known to snuggle a little closer and purr a little louder when I wear this to bed. It  comes in several other varieties that are not one whit less delicious – for your skin and your senses.

Aftelier Ancient Resins Body Oil and Hair Elixir.

Originally custom-made for the legendary Leonard Cohen, this is the classiest skin-solicitous celebuscent ever – an oil with all the same benefits for your hair and skin as the Lavender and Fresh Ginger. It smells impossibly luxe, dense and incredibly deep – the olfactory equivalent of Mr. Cohen’s plush, silk-velvet baritone, and I have a thing for those…With frankincense, poplar buds, benzoin, elemi and labdanum. I’ll happily take Manhattan – right after I take this along with it. Or any guy who wears it. They have been warned.

Hair Today, Gone Tomorrow

Aroma M Camellia Hair Oil

No kidding, there we were, my friend and I – one bushy-haired brunette Amazon Leo, one pint-sized Doña Quixota Taurus with rather fine, limp, slightly wavy hair color-treated nearly every shade of the rainbow since the early Palaeolithic. These days, however, I stick in the general neighborhood of my own shade if slightly lighter, what with lighter being younger, or so they tell me. Basically, we both have fried hair, although I’ve had a haircut two months ago, so my hair is in better shape and with far fewer split ends.

To put it another way – we were both of us in dire need of some hair therapy, but in a manner of speaking from opposite ends of the spectrum.

Aroma M’s Camellia Hair Oil was created according to the very best and most effective traditions of hair care known to geisha – and Japanese women in general. They take protecting their skin and hair from the elements very seriously, and camellia oil has been used for centuries as a hairdressing aid, protecting and purifying the hair and scalp. It contains camellia oil, virgin argan and golden jojoba oils, and the essential oils of rosemary and Moroccan tuberose.

First impressions first – this is without question the most heavenly scented dedicated hair oil I’ve ever used, and I say this as a diehard tuberose lover and sometime user of Moroccan argan oil.

Ms. Hare and I used it in three ways over a period of three weeks. As an overnight hair mask, as protection before blowdrying, and as a pick-me-up on the ends before the onslaught of hair clips and elastic.

She noted her hair was in noticeably better shape than before. It was smoother, much less inclined to frizz in high humidity and far easier to manage. She did say – despite my warnings that a little went a long way – it seemed to weigh her hair down more than other oils, but she couldn’t argue with the results. Not so that ever stopped her. You can’t argue with a Leo!

Next, yours truly, wimpy-haired blonde. Whether wishful thinking, that sublime tuberose scent or just using a little less oil, since I began using aroma M’s Camellia Hair Oil, I’m no longer tempted by the idea of a really drastic haircut. My hair is definitely smoother, softer, more manageable and certainly glossier, and given I’m blonde, that’s not to be sneezed at. I’ve styled it, curled it, braided fishtails, blowdried it and French braided it, all with no ill effects. The bottom line –  I feel a bit like the girl in a cheesy 80s shampoo ad. Don’t hate me because I’m beautiful. I’ll tell you my secret. It’s not my hair, it’s my hair oil.

You can keep a secret, right?

Everyone knows it – whatever can protect a delicate camellia flower – or a likewise delicate flower-like complexion – from the frost, snow and ill effects of a winter that seems never to end can’t possibly be bad!

Disclosure: Samples were provided for review by Skye Botanicals, aroma M and Aftelier. For which I thank them most sincerely!

Skye Botanicals products are available from the website and Perfume Pharmer’s Etsy store. Aroma M Camellia Hair and Face Oils are available from aroma M’s website and select retail outlets. Aftelier Face Elixirs and Body Oil and Hair Elixirs are available from the Aftelier website. With thanks to the intrepid Ms. Hare. And the very inspirational CharlestonGirl, the Non Blonde, Jane and Jen.

Photo: Dabney Rose. Used by permission.

The Hidden Art

- Is it… the art of perfume or perfume as art?

Whiling away a dismal Sunday November afternoon can be a most perilous undertaking. For one thing, I have been known to wade my way through all the internecine happenings on blogs, magazines and online newspapers I might have missed out on during the week. For another, this sudden surfeit of information overload has been known to cause something much, much more dangerous to my mind.

It makes me think. Watch out, world!

No kidding, there I was in my usual Sunday demeanor of microwaveable death-warmed-over beneath several layers of ratty wool and a cozy cloud of a favorite perfume, when my Facebook newsfeed alerted me to an item that somehow had managed to pass me by.

Chandler Burr, perfume writer and author of ‘The Perfect Scent’ as well as curator of Olfactory Art at New York’s Museum of Art and Design, has created an exhibition called The Art of Scent, the first major exhibition to highlight perfume as an artistic medium of expression in its own right, and to focus on how perfumes have evolved since the 1889 ground-breaking game changer that was the addition of synthetic coumarin in Houbigant’s Fougère Royale and Guerlain’s Jicky, the latter included in the exhibition itself.

You will find no iconic bottles, no advertising, nothing to distract you from the experience of the perfume itself, inhaled through specially designed snifters created expressly for this exhibition. In other words, not unlike Burr’s recent OpenSky experiment, where decants could be bought in plain bottles of the scents he chose to include, devoid of all marketing mystique.

But is it art? How can it be in an age that provides so many opportunities for redefining sensory artistic expression that relatively few exhibitions have focused on that most atavistic, primitive sense of all – our sense of smell?

After all, scents travel that little-understood information highway from our nasal receptors straight to our memories, emotions and associations, and completely bypasses that neocortical off ramp to language – just like another and not unrelated art form – music. And while no one will argue that an artist isn’t equally artistic in whichever medium he or she chooses whether it’s paint, Carrara marble or decomposing pork carcasses, the idea that perfume is every bit as valid as an expressive medium raises a few eyebrows among many non-perfumistas, simply for being such an unorthodox idea – or is that for turning a much-needed spotlight on the least-understood of all our senses?

Can it be that perfume straddles that great divide between ‘artistic medium’ and ‘artisanal product’, being not enough of one and too much of the other? In which case, perhaps it’s a good thing Mr. Burr chose that loaded headline-grabber for his exhibition…The Art of Scent, for no other reason that it brings us – the audience – to question and maybe even to redefine what we name ‘art’.

I haven’t seen the exhibition, so I can’t say anything you can’t already read in the press release. What riled me up and made me think, however, was Alyssa Harad’s take on Chandler Burr’s intiative, since her excellent blog post echoed many of the thoughts that ran through my own overheated Sunday afternoon mind, and Denyse Beaulieu’s own blog post did not much more to prevent me chewing on my nails.

I’m in no position to argue whether or not perfume is an art form in its own right and with its own merits – and limitations. For one, you could say I have a vested interest.

I’m a perfume writer, and perfume happens to be one of my own personal passions. To me, perfume is a means of artistic expression as valid, as rich, as rewarding, as challenging and as complex as any painting, sculpture or piece of music. To my fellow perfumoholic friends and acquaintances, I rattle off the names of famous perfumes and perfumers as easily as I can reference works by Titian, Gentileschi, or Alexander Calder. These liquid epics and novels, these allegorical redolent poems and metaphorical operas in magic, however, all exhibit a few characteristics in common no painting or sculpture can claim.

For one, I take issue with the general perception of ‘art’ (you insert your own definitions here) as a mode of creative expression that exists in a vacuum, outside any context or touch points with our ‘real’ lives. Art as a means of cultural expression  – in the sense of being ‘fine art’ – often ends up on private hands and out of reach to the general public or in the museums and art galleries who can afford to lend or buy them whereupon they exhibit them as ‘works of art’ to accentuate whatever statements the museum – or the curator – is trying to make. Art to me is something much more inclusive and dare I write it – quotidian. It is whatever enriches your life, makes you appreciate beauty, makes your personal horizons wider and maybe takes you somewhere out of yourself and into a place you would otherwise never know.

Perfume, on the other hand, is a democratic, inclusive art form. It is an instant mode of transport and mood elevator available for the price of a bottle for anyone who can afford to buy it. You can and often do take it with you anywhere and everywhere you go. It exists in a physical, concrete form in the bottle as a chemical concoction of ingredients both ‘natural’ and/or synthetic, yes – but the true story, the true art, is written on your skin every time you wear it, and no two wearings will ever be entirely alike, depending on such factors as your genetic makeup, your diet, your very mood, weather and so on.

You may have been seduced to buy it by the story of its inspiration, by the aesthetic considerations and heritage of the perfume house behind it, but as any perfumista and not a few perfumers know, the ‘story’ is nothing but a marketing ploy to lure you in, and the real story – and my own test criterion of a truly ‘artistic’ perfume – is what happens in that sublimely seductive, intimate space above your skin where it blooms. Not in whatever abstract or elusive inspirations the perfumer/creative director chooses to share with the world to sell the juice.

You may buy into the perfumer’s aesthetic, but the real reason you buy it and love it as you do is what it does to you and for you – in other words, how that perfume sings in its infinite variety…to you alone. Your family and friends, your colleagues and even total strangers can define or explain you by your choices in clothing, hair, and general demeanor – but that hidden art form, that art that may trail behind you and explicate you when you’ve left – that is the true art…of perfume.

In other words – also as Alyssa Harad stated – perfume art is ephemeral art. It exists only in the moments it breathes its wonders on your skin and invents new, untold stories of you, of its materials, of its very existence and the spaces the perfumer chose to give expression.

Even the very language we use to evoke that art form somehow lacks the ability to crack through the fourth wall and open the doors for our readers to perceive it. Which is why the best perfume writers have a large reference frame of history, literature, art and last, but not least, music to call upon. It’s no accident at all that perfumes are often described in notes, whatever Chandler Burr might argue to the contrary.

I applaud Chandler Burr’s decision to create an exhibition around the Art of Scent. I can appreciate his endeavor to create a neutral, association-free space in which to approach it anew, from another, more radical and perhaps more abstractly intellectual, unbiased angle. The question is, if perfume is an art form, is there such a thing as a lack of bias?

And yet. And yet. I look to my little sea grass basket full of wonders, signed by the perfume world’s Titians and Caravaggios, Francis Bacons and Lucian Freuds and Magrittes, the Afteliers, the Jacques and Aimé and Jean-Paul Guerlains, the Dawn Spencer Hurwitzes, the McElroy/Karls, the Tauers, the Kerns, the Lutens/Sheldrakes and the Duchaufours, the Chong/?s,  the Shoens, the Orchids and the Harts and the Morrises too, and I shake my head at such marvelous ideas and laugh and laugh.

Perfume is indeed a form of art, a medium of artistic expression, a story unfolding its unique and ephemeral pages. And as it does, as we who love its art as we do, redefine those stories each in our own individual ways, every time we wear it and every time we breathe it.

Caravaggio’s works should have been so lucky.

For an entirely different take, I can highly recommend Legerdenez.

With thanks to Legerdenez, Lucy Raubertas, Alyssa Harad and Denyse Beaulieu.

Image: ‘La Dame et Le Licorn’, ‘Smell’, late fifteenth century Flemish tapestry, from the Musée du Moyen-Age, Cluny, Paris

A Waft of Woe

- Flotsam & jetsam, gratitude & anticipation 

The image above perfectly sums up the week I’ve just finished, although ‘lovely’ isn’t the word I’d choose…

Let me start by saying I’m fully aware that the frequency of posts (and no shortage of Way Overdue Reviews) has been sporadic these past couple of months. Ladies and gentlemen – I’ve had about two months of Mondays in that overrated dimension called ‘real life’.

Major changes and massive preoccupations have done everything they could to tear me away from what I’ve really wanted to do more than anything, and that was – for that matter, still emphatically is – to write. Three old-school spiral-bound notebooks – the kind that demand démodé pens or pencils and my own brand of schizoid Linear C handwriting – go where I do in case the Next Great Idea pops up out of the blue – three notebooks of three different writing projects that I plan to feed, water and grow into books. Although one of them you might know about, the other two are super-secret, and one of them involves – yes, you guessed it! – that nebulous, shape-shifting subject of…perfume.

My own collection – which seems to propagate like bacteria as soon as I look the other way – is packed away in acres of bubble wrap, electrical tape, bubblepak envelopes and cardboard boxes within a suitcase. My new (cute if tiny) apartment is being renovated from scratch, and until I can move in a few weeks from now, there they remain, whispering their secrets and haunting my dreams.

Meanwhile, life gets in the way…and this became patently clear this past week, when I’ve been glued to social media and the New York Times, frantic for all my extended family and friends in the Northeast US which received a sucker punch of its own named Sandy. I’m thrilled to say that they made it through in one piece, although not without consequences no one ever could have wished for. Sitting in my own cozy corner of Europe, snuggled up against the chill of winter watching the devastation wrought by the storm has broken my heart in several places, but if anything at all gives me hope, it’s that ‘we’ll be damned if we let this get us down’ attitude displayed by so many of those affected despite their devastating losses. If that’s not an inspiration and an attitude to emulate, what is?

The idea that I could ever inspire anyone at all blows me completely away. When it comes from two fellow perfume writers (and forces of nature in their own right!) I admire as much as the divalicious Perfume Pharmer and Portia of Australian Perfume Junkies, I have to puncture my ego, just in case!

Monica of the Perfume Pharmer – who has literally saved my own crocodile hide this year with her African Gold shea butter – interviewed me in a timeline format on Perfume Pharmer. If you ever wondered why I’m a bit strange, I blame my first babysitter…

Some time ago in a perfume exchange, I sent the fab Portia some Devilscent samples I thought she should have the chance to try. These perfumes are so outside anything in niche perfumery these days, I thought it could be interesting to find her take on them. That’s what we fumeheads do – spread the joys of our discoveries! Yesterday, she returned the favor by reviewing Olympic Orchids’ Dev no. 2 and Lil on the Perfume Posse, and interviewing yours truly on her own blog, Australian Perfume Junkies. (My own reviews are here and there.) I feel so privileged to have met and connected with so many hugely inspiring people through my perfume writing – and Monica and Portia are two of my own inspirations, so thank YOU, ladies! Reviews of two more Devilscents will follow…and more are coming in other venues, which is all I’m able to say for now. Stay tuned!

Two months ago, thanks to the kind of serendipitous networking that never happens except when it does, the book that inspired the Devilscent Project landed on an editor’s desk when I least expected – or was prepared for! – it. Although it wasn’t a natural fit for the publisher, I received the kind of feedback any aspiring writer would gladly kill for – and received several road maps for the final edit. So when I’m finally settled in my new digs, I’m going to buckle down and polish Quantum Demonology to a high and glossy patent leather sheen – when I’m not noodling with the super-secret perfume book and another project that isn’t perfume-related but something much more controversial. When a fellow writer throws down a gauntlet, issues a challenge and dares me to kick away a few boundaries, anything can – and likely will! – happen. “Your mission, should you choose to accept it…” And just like that, I did. Be afraid…

Anticipation is one of my most favorite emotions. There are four remaining Devilscent reviews, and I feel a pang in my heart just thinking about them. Opus Oils’ contribution, the mind-blowing Babylon Noir arrived right before my move, and on this side of the Atlantic, it’s caused quite the sensation among my adventurous-minded girl friends. Two more of Neil Morris’ showstoppers have yet to be reviewed, and my one regret is not just that I only have four DSP posts to go, but that until I move, I also don’t have the time or space to write about them, and it’s killing me – not softly!

I’m anticipating not a few wonders in the weeks to come, including Aftelier’s new Wild Rose (anything Mandy does is grounds for Major Anticipation), Serge Lutens’ Une Voix Noire, and yet more wonders from one of my newest discoveries, Juan M. Perez of Exotic Island Aromas and a few more novelties I should have written about months ago – some from another of my Primeval Forces that had me hauling out the hyperbole – they’re that good!

Most of all, I’m anticipating the simple joys of my own space, my own place under the eaves, and banging away until the cows come home without other distractions than Hairy Krishna. I’m looking forward to unpacking my perfumes and samples and wearing them all.  I’m looking forward to blasting the neighbors with vintage punk, classic metal and the new release from another favorite band. (I wore their last release to shreds!). I look forward to the day life returns to mostly normal for my self-selected family of friends in New York and New Jersey. I look forward to all those fragrant epiphanies I know lie in wait and…since I broke my little finger yesterday, I look forward to the day I can remove the splint and move my hand around without yelping! And last, but never least, I look forward to the day I can write about it all – so you, dear readers, can read all about it!

Falling Forward

 – an ode to my favorite fragrant Fall thrills

Autumn is one of my favorite times of the year. A little melancholy, slightly tinged with regrets for what might have been and what should have been done, autumn has also proven itself to be the season of cataclysmic change this year, a change so drastic, it’s been all I can do to hang on by the skin of my teeth and know…that all I can do is to go with the flow and give myself over…to evolution and the knowledge that from here on, life can only get more exciting.

And I can give myself over to the many pleasures of falling forward…into autumn, into the incendiary glow of golden-leafed trees, ruby-hued leaves, and the intoxicating sharp scent of burning wood fireplaces and bonfires, the smell of mushrooms and cepes sprouting up overnight, the sound and scent of apples falling to the ground, that looming breath of steel and stone that lurks beneath the colors and the chills in the air. Wrapping my chilly, wintry self into favorite woolen sweaters, and wrapping favorite scarves and mufflers around my neck, inhaling that palimpsest of perfumes worsted in the wool.

Autumn is also an excuse for hauling out the heavy, heady perfumes with which to slay the unsuspecting world – the ones I wear as I would wear cashmere, the ones that comfort and console me on rainy days and Thursdays, the ones I wear like scented armor, and all the ones I love…

Below, you’ll find some of my favorite autumn fumes, the ones that contain October  and November in their essence, the ones that trail behind me like the ghosts of autumns past as well as harbinger angels of the future possibilities that lie ahead, waiting for when life returns and all is green again.

L’Artisan Parfumeur – Seville à l’Aube

It’s generally agreed that Bertrand Duchaufour is one of the greatest perfumed geniuses alive today. His work has ruined me several times over this year, when I was introduced to Neela Vermeire’s breathtaking perfume odes to her native India and all three of them shot to the top of my Most Worn of the year list. Next came an introduction to L’Artisan’s Dzongkha – one haunting, numinous iris – and Sienne L’Hiver, no less haunting and evocative. They all broke my heart. But when I read of Duchaufour’s collaboration with one of my own inspirations, Denyse Beaulieu of Grain de Musc, and heard the fated words ‘orange’ and ‘blossom’, I was had at the first syllable. Oh! So imagine my anticipation when I moved in on a split of Seville à L’Aube blind (this very rarely happens any longer), and all it took to tip me over the edge was one fatal sniff…My full review will be up in a few weeks, but this mesmerizing blend of orange blossom, lavender and incense is …flawless.

Amouage – Memoir Woman

Something about autumn brings out my inner Goth, which is to say, that part of me that appreciates seriously depressed-mode music, rainy days, and lots of witchy black velvet. While I wouldn’t be so bold as to say Memoir Woman is Goth per se, I will say that it is a moody, magnificent, haunting perfume of a kind that tends to stick in the mind long after it wears off. I didn’t like it much at first, but I couldn’t stop sniffing. It reminded me of a advertising tagline I once cooked up for a story I wrote: “Haunted. What he will be.” Haunting, unforgettable, there is nothing quite like it and nothing quite like a love that grows and grows to haunt you.  As it has. As I have been. As I remain.

Serge Lutens – De Profundis

Some claimed that dear Uncle Serge had somehow lost his marbles when De Profundis was released, and I have no idea what mushrooms they nibbled, because De Profundis – inspired by the treatise by Oscar Wilde, death and funereal chrysanthemums – is simultaneously green, cool and impossible to forget. Incense, chrysanthemum and a mesmerizing icy green-tinged, tear-stained violet chill all add up to ‘spellbinding’ in my book, but if any Lutens is perfect for that delicious melancholy that pervades October Sunday afternoons, it’s this one.

Aftelier – Cepes and Tuberose

My first introduction to the fabled perfumes of Aftelier was Mandy Aftel’s justly famous and unorthodox Cepes and Tuberose, which is earthy, floral, spicy, heady bottled magic – or else a horror story of mildewed mushroom and airy tuberose. There is truly nothing at all else quite like it, and you either adore it or hate it. I have since that fatal introduction loved it so much, a mini of the parfum goes where I go and a dab often wafts as I breathe no matter what else I wear. It smells golden to me – golden as the maple leaves that now are turning red to bloom in midair and dance their leafy sigh into the ground.

Neela Vermeire – Trayee

Whether it’s the blaze of color or the sudden shock of chill in the air, there is something numinous about autumn, something that reminds you of the passage of time and the ephemerality of all life. When that sudden pang of mortality hits me with the delicate slap of a falling leaf, I often reach for Trayee, a swirling, whirling, spicy Mahabarata epic in a bottle, wit its fiery, feisty cardamom, a wink or two of sacred bhang, smoke, incense and samsara. In no time, my spirits lift and my mood improves, and I dream such faraway dreams of other times and other, sacred spaces.

A Trinity of Ambers

Autumn is also the perfect time for ambers…those glorious, heady, drop-dead sexy golden potions I once hated and now love with a fury that teeters on obsession. Three in particular hold pride of place in my amber-tinted Pantheon, and I’m not even sure I can bear to know there will be others in their wake. The Great Khadine, Serge Lutens’ Ambre Sultan, with its opening green bite and its sumptuous drydown, whispers its secrets in my ear, while Amouage’s Opus VI speaks its twisting, turning, ever-evolving tongues of wood flickering in firelight, and when I stand still and listen to the beat of my heart in the moonlight, Neil Morris’ Rumi trills its transcendental tale of another kind of sweet-scented magic.

Labdanum dreams

The ongoing Devilscent Project has completely changed my life around in more ways than one. I could talk about these unbelievable perfumes until the cows came home to roost, but the one note the Devil insisted upon to his perfumers was labdanum, a whole fragrant universe unto itself, and one of the oldest perfumery materials in the world. When life has been known to grind me down, Olympic Orchids’ spare, pensive Dev #4, which puts a magnificent labdanum in the spotlight, centers me as nothing else will, so even I can envision such luscious, labdanum things come true. As I do, I’m often taken back to a midnight moment in time, and when I am, another spicier, darker, more ominous labdanum-tinged marvel wafts forward, and that is Neil Morris’ Midnight at the Crossroads Café.

Olivier Durbano – Black Tourmaline

One reviewer on Fragrantica stated that Olivier Durbano’s Black Tourmaline was ‘for real men only’. This is absolute nonsense. For Black Tourmaline is a stunning mélange of leather and the darkest, deepest, smokiest incense you can imagine, and I’ve received many, many compliments when I’ve worn it, despite being nothing masculine in the slightest, not even in a tux. It’s as otherworldly as a fog-drenched November morning and as warming as a firelight glow at night, and when it goes, it will be missed, like November, like firelight, like a ghostly wisp of cloud bearing down to kiss the earth one last and final time.

More than any other season, autumn sings to me of time passing, of moments as fleeting as the bloom of glowing leaves dancing in a deep blue sky. When Debussy’s ‘Clair de Lune’ seems to match the tasty tristesse of a rainy afternoon, and when the smoky thrills of firelight and flame warm the soul through.

What are your autumn favorites? Or just…your favorite things about autumn? I’d love to hear about them!

With many thanks to…Andrea, Amy, Ruth, Christopher, Mandy, Ellen, JoAnne, Neil and Christos. 

Clarimonde Revisited

- At the crossroads of narrative, perfume and prose 

One of the greatest joys and highest privileges in my time as a perfume blogger has been the opportunity to participate in what I can only describe as …magic.

Instead of wrestling with concepts and angles, wondering how to write about any given perfume, the concept is already a given. Instead of wrangling ghosts in solitude, I could write away to my heart’s content, happy knowing that other bloggers wrote as I did, that perfumers felt as I do. As we did, as even I did, we each in our own ways created something that became larger, lusher and far more lustrous than any of us or our readers could have anticipated.

This was – and still is – known as The Clarimonde Project, named for the 1836 Théophile Gautier story La Morte Amoureuse, or as it was known when it was translated in 1907, simply – Clarimonde. The haunting, evocative story of the young priest Romuald who was destined for the seminary and had never known any other love than God’s, and how it all fell away in an instant the moment he looked up at his ordination and saw the celebrated courtesan Clarimonde and in an instant, all he knew and loved and believed fell away…or did it? Did he dream of his other, alternate life as Clarimonde’s beloved, or was it only too real and his old life as a priest of God the dream? Was Clarimonde simply a woman of incandescent beauty, or was she as Romuald’s abbot claimed, the vilest form of monster, renounced as vile as the sins Romuald surely  – or maybe – committed with her? Just as Romuald’s fevered prose, the story shapeshifts and changes each time you read it or listen to Joy Chan’s spellbinding reading of the story.

The Clarimonde Project is the brainchild of my dear friend and fellow blogger Lucy of Indieperfumes, and has since grown to involve not just some truly haunting perfumes, but also a Pinterest page and the inspiration for a masquerade ball and a three-day event at MiN New York to start on October 25th. Tickets to the event can be found here.

But it began…with the story, which can be read online here, or enjoyed as an audio file read by Joy Chan at this link, which is highly recommended.

It continued with bespoke perfumes, lipstains, and a dream pillow created by Monica Miller of Perfume Pharmer, Mandy Aftel of Aftelier, Dawn Spencer Hurwitz, Ayala Moriel Sender and the House of Cherry Bomb by Maria McElroy of Aroma M and Alexis Karl by Scents By Alexis.

So it evolved…into some of the best perfume writing to be found anywhere by some of the very best perfume writers in the blogosphere.

For the story of Romuald and Clarimonde – courtesan, woman, Woman or supernatural aberration – grew into other stories and other words, all of them a surrender…to the beauty of Gautier’s story and to the beauty of the perfumes that story inspired.

Of all my many, many words in my two years writing about perfume, I can say for myself that I have never written as I did for Clarimonde before or since. To this day, they all remain my very best perfume writing, just as the privilege to participate in something so special, so haunting and so magical is an honor I will cherish –  always. 

The Clarimonde Project on the Alembicated Genie:

Sangre – perfume and lipstains by Monica Miller: Blood and Kisses

Aftelier PerfumesOud Luban: The Sanctity of Solace

House of Cherry Bomb’s Immortal Mine: A Philter Perilous

Ayala Moriel Sender’s ‘Clarimonde': Dreaming Venetian

Dawn Spencer Hurwitz‘ ‘Paradise Lost': Reclaiming Eternity

The Perfume Pharmer’s reviews of
Oud Luban
Immortal Mine
Ayala Moriel’s Clarimonde
Dawn Spencer Hurwitz’ Paradise Lost

Jade Dressler

Deana Sidney’s (LostPastRemembered) post on Clarimonde, vampire lore and the perils of perfumed port

Scent Hive
Part One
Part Two
Part Three

Indieperfumes’ reviews of
Sangre
Oud Luban
Immortal Mine
Ayala Moriel’s Clarimonde
Dawn Spencer Hurwitz’ Paradise Lost

Beth of PerfumeSmellin Things: The Clarimonde Project:

The Clarimonde Project on WordPress

Clarimonde on Pinterest

Image: ‘Barbaric Red’ – via the Clarimonde Pinterest page, pinned from Hoop Skirts & Corsets

Afloat in a Chocolate Sea

-       a review of Aftelier Perfumes’ ‘Cacao’

Close your eyes and think of all the wonders Europe never knew until Hernán Cortés conquered the Aztecs.

Tomatoes, chiles, peppers. These are all fine, all good, but more marvels waited to slay the unsuspecting in the verdant jungles of the Yucatàn, and of them all, two in particular would have a lasting impact on the European culinary landscape. These nearly five hundred years later, both are so ubiquitous by now they’ve become bywords for opposite ends of a spectrum…one unassuming if pretty pale green orchid, whose fermented seed pods fired all our imaginations and that is vanilla, and the seeds of a small jungle tree that ignited passions, restored the mind, gave strength and stamina and was used as both currency and luxury tax. Say the word, and I can guarantee a whole onslaught of images in your mind…silky, smooth, sweet, sinful, and nearly impossible to resist…

Chocolate.

Where would we be without this delicious marvel of the mouth? One story of the conquest of the Aztec declares that Moctezuma drank fifty cups of xocoatl – a bitter, frothy drink of cacao, chiles and vanilla – a day, but then again, he also had 300 concubines. Surely, they drank xocoatl, too?

Here’s what I know – botanist Carl von Linné was surely giving himself away when he invented the name for the cacao tree. He called it Theobroma. The food of the Gods. Von Linné was (also) a lifelong, dedicated chocoholic.

Some of us are addicted to chocolate in its many forms – or simply chocolate in any form.

But to wear in perfume? Once upon a time, I would have said…not so much.

Nothing against dessert, it’s just I’d rather eat it than wear it, and when I’ve worn it, I’ve found myself wanting to eat it.

So it was until friend and fellow perfume blogger Carrie of Eyeliner On A Cat sent me a decant of Guerlain’s magnificent Spiritueuse Double Vanille. Arguably one of the greatest vanilla perfumes ever created.

When next she murmured…iris and white chocolate, I had to own that one, too. Since then I’ve adored chocolate notes in perfumes, so long as they’re a) not combined with patchouli overdoses (Angel, here’s looking at you) or b) and done with all respect to the divine cocoa bean.

Carrie’s nudge sent this perfumoholic over the edge!

Chocolate is never just…chocolate. It can be amazingly complex, floral, fruity, and densely aromatic – if not outright narcotic in a way that no other food item quite is, yet if anyone at all could turn that complexity of aroma into perfume, it would be Mandy Aftel, who has a spectacular talent for defining ‘aroma’ in new, daringly delicious ways.

Cacao is nothing if not…delicious. For the alcohol base for this perfume, she macerated cocoa beans specially selected by master chocolate maker Steve DeVries with a floral Tahitian vanilla for a full year.

Just the alcohol base for this perfume, and already this chocoholic is drooling on her keyboard.

Cacao is a marvel of a perfume, not only for the dedication to craftsmanship and the concept of chocolate that waiting a full year for an alcohol base implies, but also for the way it opens with a bright, trumpeting, clarion call of citrus – blood orange and pink grapefruit, say the notes – which isn’t what I expected from something called ‘Cacao’.

I expected a full, dark, silky chocolate kiss, and what I got was a wake-up call. Hello!

Citrus and chocolate are old, familiar friends, but Cacao has yet more surprises in store, because some time later, the real surprise – and the real genius of Cacao – kicks in for reasons I shall presently explain.

I don’t know precisely what kind of cocoa beans were used for that alcohol base. The three varieties of cocoa bean, Criollo, Forastero and Trinitario, which is a hybrid of the first two, have very different flavor profiles. Most of the chocolate consumed today is Forastero cocoa, but truly dedicated chocoholics have a preference for Criollo chocolate for its ethereal, flowery nuances, and these are precisely what Mandy chose to highlight with the inspired addition of jasmine sambac and grandiflorum, elevating an already lush and sensual  blend into the plush and downright decadent stratosphere of chocoholic gourmand heaven, and if that’s not genius, I don’t know what is. For all I know about jasmine (which is quite a bit by now), this combination of jasmine + chocolate was invented in some alternate universe where Willy Wonka’s Oompa Loompas sang into the blend in flawless harmony…‘What an inspired idea that is!’

As those glorious blooms fade into the twilight, the coup de foudre comes forward to take my breath away… the opulent, flowery wonder of Tahitian vanilla, those fatal, fragrant cocoa beans and somewhere along the way, my definition of ‘chocolate’ and my concept of ‘gourmand’ has once again been rattled to bedrock in all the best ways, and by Golly, I would so wear this to unnerve a fellow chocoholic, and by Golly, the guy wouldn’t stand an almond’s chance in a chocolate bath!

Cacao brought out the voodoo of Carrie’s inner child, and it brought out that gluttonous chocolate-loving side I usually try to forget. “All you need is love,” said Charles M. Schulz, before he went on “But a little chocolate now and then doesn’t hurt.”

Thanks to Mandy Aftel’s ‘Cacao’, it hurts even less, when this former gourmand-averse perfume writer wants nothing more than to swim this perfectly executed marvel and float in a fruity, flowery Xocoatl sea, where all the most delicious, decadent dreams always come true!

Aftelier’s ‘Cacao’ is available in parfum and eau de parfum from the Aftelier website. Steve DeVries chocolate wonders can be explored here.

Disclaimer: A sample of Cacao eau de parfum was provided for review by Mandy Aftel.